Back in the day – the Student Muzungu – at Trafalgar Square in London. The South African High Commission is in Trafalgar Square, making the square the main site for anti apartheid demonstrations for decades.
Mandela was freed while I was a student at SOAS. We couldn’t wait to celebrate his freedom: just a few weeks after his release, the Awesome Man Himself appeared onstage at the now defunct Wembley Stadium – to thank the world for helping secure his release, and telling us to continue exerting pressure for the end of Apartheid.
‘Free… Nelson… Mandela!’ We sang for the thousandth time … and there Mandela was, in the flesh.
It was around this time that I made my first enquiry to VSO (Voluntary Service Overseas). “Call us again in a few years,” they said – I had little work (or life) experience – and I shelved my plans to volunteer in Africa.
My pilgrimage to Mandela’s Robben Island cell was a longed-for moment.
Mandela and Me. A homage to Nelson Mandela. The keyhole to Mandela’s prison cell on Robben Island.
Nelson Mandela spent nearly two decades on the other side of this metal gaol gate. Isn’t it uncanny how the outline of the African continent has emerged as the paint has chipped away? How many thousands of times did the key turn in that lock? The Robben Island tour (courtesy of previous Robben Island inmates who were incarcerated at the same time as Mandela and other heroes of the movement such as Steve Biko) is humbling beyond words.
Rereading Mandela’s obituaries, a few facts jumped out at me:
– He left power voluntarily, when his presidential term was up. He played by the rules, unlike so many African rulers who want to stay in power forever.
– Mandela visited Uganda on July 5, 1990, just five months after his release from prison. Mandela chose Uganda as the first African country outside South Africa to visit.
From student days drinking Snakebite in the ‘Nelson Mandela bar’ to SOAS, Johannesburg, Cape Town and Uganda, Mandela remains an inspiration to me:
On writing, he wrote to one of his daughters:
“Writing is a prestigious profession which puts one right into the centre of the world and, to remain on top, one has to work really hard, the aim being a good and original theme, simplicity in expression and the use of the irreplaceable word.”
Robben Island Nelson Mandela tour
Who can possibly count the millions – billions? – of people’s lives affected by this great man. RIP Madiba, the world remains a better place for you having been in it.
What effect did Nelson Mandela have on your life?
Free Nelson Mandela
21 years in captivity,
Shoes too small to fit his feet,
His body abused but his mind is still free,
Are you so blind that you cannot see?
I said: Free Nelson Mandela,
I’m begging you,
Free Nelson Mandela.
On the first anniversary of his death, feel free to share your thoughts.
Lakeside Adventure Park is unique: there is nowhere quite like it in Uganda. The park offers state-of-the-art adventure and climbing activities, with a highly professional support team in a peaceful setting next to the lake. It’s brilliant fun too – as Kampala House Harriers were to discover …
Flying Hashers! High wire fun at Lakeside Adventure Park, a great day out from Kampala
Activities available at Lakeside Adventure Park include an assault course, crate-building exercise for team building fun, high wire – rope course – activities on two different levels, volleyball on the beach and Uganda’s highest climbing wall. It’s perfect for a day out from Kampala. It caters very well for groups.
Recently, twenty of us took the Lakeside Adventure Park boat across from Ggaba. The boat can take you directly from Ggaba’s KK Beach to Lakeside (45 minute boat journey). We opted to take the shorter boat crossing to Bole, from Beach House Event Gardens (a nice little local bar behind Ggaba).
Twenty Hash House Harriers jumped on the boat from Ggaba.’Nagawa’s Birthday Hash’ was sponsored by Diary of a Muzungu
We then jumped on boda bodas for a ten minute journey through the Bush to Lakeside. Either way, it’s a very easy journey to Lakeside. (You can even drive there via Mukono)). Once you’re over on the other side, you feel like you’re on an island – you can hardly imagine Kampala is so close.
On a boda boda from Bole to Lakeside Adventure Park – just one of the ways to get there
After a quick look around Lakeside’s facilities, it was time for our reason for being there: the Hash run! What a beautiful part of the world. Ahhhh… I feel so relaxed just remembering the place. I don’t remember passing even one car on our hour-long run. Even boda bodas are few and far between.
There was one very important boda boda on our run, of course: the one carrying the beer for the three beer stops! My favourite beer stop: guess who was waiting for Nagawa? Up in the trees were three Nkima! (Red-tailed Monkeys – the totem for the Nkima clan that Nagawa belongs to).
The Muzungu Nagawa and Nkima, the Red Tailed Monkey. Me and my totem, as painted by the artist Taga www.mytotem.co.ug
I enjoyed my moments watching the monkeys while I waited for the (FRBs) Front Running Bastards to appear from the bushes…
I was quite happy when Kenyan Hasher ‘Golddigga’ took my place on the beer-stop boda – it wasn’t the comfiest of rides!
Boda driver + de Muzungu + beer crate on one boda boda driving over bumpy marram tracks isn’t the most comfortable ride. I was quite happy when Kenyan Hasher ‘Golddigga’ decided that her injured leg needed a rest and she took my place on the beer-stop boda.
Back at Lakeside Adventure Park, the ‘high wire’ ropes course activity operates on two levels.
Our instructor was JB. Feet still firmly on the ground, JB instructed everyone on how to use the safety equipment. No time for fooling around; everyone had to listen in carefully. The health and safety briefing is very important. Used properly, everyone was safe using the equipment. Spectators aren’t allowed to stand underneath any of the high wire activities, either. It was very tempting to stand right underneath someone to take a photo, but I resisted. I didn’t want JB to shout at me!
Unusually attentive Hashers! JB gave everyone a a good safety briefing
The high wire activities combine ropes and pulleys, climbing walls, sections that you sit on and navigate using your upper body. It requires coordination, balance and concentration.
Taking a break between sections of the high wire ropes course at Lakeside Adventure Park
Some of the Hashers opted to continue to the second higher level. The whole activity is quite intense. After a few initial giggles, everyone quietened down. I could sense how people were concentrating.
Machinery hauls himself across a section of the ropes course
Only a couple of people managed the last section; to concentrate hard and maintain that muscle control for a whole hour has to be very demanding. (Note: de Muzungu was too busy taking photos – and recovering from the night before’s birthday celebrations – to participate!)
Imagine organising your colleagues into two teams and racing each other over an assault course? This is what we did on Sunday morning.
We cheered each other on as we scrambled over wooden poles, jumped, climbed, run, swung and raced on our hands and knees over, under and around various wooden obstacles. Brilliant!
Check out more photos of the Lakeside Adventure Park week-end on the Diary of a Muzungu Facebook page.
Assault course at Lakeside Adventure Park. Note de Muzungu‘s full concentration!
As a last bit of fun to end the day, JB split us up into teams and gave us a scenario in which we had to build a temporary shelter from the rain. He gave us 15 minutes.
Fourteen minutes later, feeling proud of our tipi tent of branches and leaves, our team of five sat inside it.
“But will it be rainproof?” He asked us. “Yeah, yeah”” we all shouted, confidently.
“Are you sure?”
A bucket of water appeared from nowhere, permeating the branches and soaking everyone in our shelter.
“Okay, JB, you win!” We laughed, jumping up from the ground.
Clare and I outside our hastily built tipi – before we had the bucket of water chucked at us!
A lot of fun and just one of the teambuilding exercises put together for corporates, schools or just a private party like ours.
We had a brilliant time at Lakeside Adventure Park, from start to finish. The booking process was easy and the team made sure we had everything we wanted. Twenty is quite a small group number; Lakeside can accommodate 55 people (or a few more, with tents) and is a popular venue for corporate and teambuilding events. The whole facility is very well organized. A new kitchen and conference room are being constructed as I write. The dormitory accommodation is excellent. There are two big modern dormitories, one male and one female, each with their own hot showers and toilets. Everyone in our group said what a fantastic time they had.
You don’t actually have to be fit for a lot of these activities, you just have to be up for an adventure! Don’t be too concerned if people laugh at your expense. You will soon be laughing at them too!
For more information, visit Lakeside Adventure Park’s website or contact the Muzungu. We can’t wait to revisit next year. So many Hashers are complaining that they missed out on this unique weekend – let’s hope Lakeside will have us again!
Operation Shoebill: first-hand experience of Uganda’s Big Birding Day annual 24 hour bird race at Mabamba Bay
So why precisely have I got up well before dawn – on a Saturday – to drive for three hours in a cramped minibus to sit in an old boat?
Reason enough to get up very early indeed on a Saturday – what a bird: the Shoebill. Big Birding Day Uganda. PHOTO Ronan Donovan and Wild Frontiers Uganda www.wildfrontiers.co.ug
It’s that time of year again: Uganda’s annual Big Birding Day, a 24-hour contest in which birders compete to see who can rack up the score for the highest number of bird species. The early bird catches the worm… or so they say. (This silly early bird didn’t even remember to catch breakfast, and now I’m sitting hungry in the middle of a huge swamp, miles from anywhere … oh damn you and your insatiable Muzungu appetite for cappuccino…)
On the shores of Lake Victoria about 50 km west of Kampala lie the vast swamps of Mabamba, one of Uganda’s few remaining swamps that are protected by the local communities.
Classified as an Important Bird Area, Mabamba Bay is home to Uganda’s most famous bird: the iconic Shoebill.
Operation Shoebill: first-hand experience of Uganda’s Big Birding Day 24 hour race at Mabamba Bay. PHOTO Charlotte Beauvoisin
Would our Big Birding Day team get lucky and see a Shoebill at Mabamba Bay?
A couple of rickety-looking boats greet us on the edge of Mabamba Swamp. With giggles of excitement, the team’s boats head off into the Papyrus.
Pair of Grey Crowned Cranes. Uganda’s Big Birding Day 24 hour race
A pair of Grey Crowned Cranes (referred to locally in Uganda as Crested Cranes) fly overhead. It’s like a statement: you have officially landed in Uganda’s wetlands. The fabulous Crested Crane adorns Uganda’s national coat of arms and makes its home in the wetlands (or what is left of them).
Our boats are surrounded by vibrant green, dotted with shimmering, purple water lilies, the cool morning mist rising from the crystal-clear waters.
A vibrant blue and orange Malachite Kingfisher poses delicately on a Papyrus stem as our boat pushes through the vegetation.
I spot a Northern Brown-throated Weaver (pale brown with an orange beak) at the base of some reeds. (I can’t say I know exactly what it is, but I’m the first to spot it! You don’t need to be an expert to take part in Big Birding Day; just quickly point out the moving blocks of colour to your more knowledgeable teammates).
The narrow waterways cutting through the swamp allow one, maximum two, narrow boats to pass. Travelling in a low-lying boat means you are at eye-level with so many of the birds at the water’s edge. It’s magic.
Purple Waterlillies contrast beautifully with the abundant lush greenery of the swamp. Uganda’s Big Birding Day. PHOTO Kaj Ostergaard
The narrow labyrinth of channels opens out into a wide freshwater lagoon.
We spot a Yellow-billed Duck in flight, a Squacco Heron amongst the reeds, and several Long-toed Lapwings, just a number of the iconic wetland birds you can see at Mabamba.
As our Shoebill comes into sight, everyone in the boat stands up (precariously tipping the boat to one side of course!)
Shoebill Stork, Mabamba Swamp. Big Birding Day. PHOTO Nick Sausen
The dark grey, funny-looking character stands an impressive five feet tall and stares back at us. A cross between a Stork and a Pelican, this prehistoric-looking bird dines on a menu of lungfish and frogs. Oh yum!(Mabamba is one of many places in Uganda you can see the Shoebill, but arguably the most accessible since it’s a short hop from Entebbe or Kampala. The excellent, mid-range Nkima Forest Lodge is just a few minutes from Mabamba Bay).
A pair of magnificent Blue-breasted Bee-eaters entertain us, while the Shoebill looks on, seriously, just ten or so metres from our boat. The Shoebill moves his head from side to side as our Mabamba guide educates us about this fascinating bird. There are just two or three pairs of Shoebills breeding in Mabamba, all under the watchful eye of the local community.
We look in vain for the Lesser Jacana, to the disappointment of our guide, who has a mental checklist of the birds he has hoped to record for Big Birding Day. Mabamba birds we do spot include Pink-backed Pelican, Saddle-billed Stork, African Fish Eagle, Purple Swamphen, Giant Kingfisher, Swamp Flycatcher and Weynn’s Weaver.
Pied Kingfisher poses on Papyrus, Mabamba Swamp. Big Birding Day
There is no protection from the sun when you are out on the open water. Cue: return to land, for a soda and a chapatti from the local snack stall. Refreshed, and with the Big Birding Day clock ticking, the competitive streak kicks in and the Big Birding Day team marches uphill towards some tall trees. En route we add a Fan-tailed Widowbird to our list.
Leaving Mabamba is a series of smaller Papyrus Swamps where we see locally occurring ‘endemic species’ such as the striking Papyrus Gonolek, White-winged Warbler and Carruther’s Cisticcola.
Our tiny country is home to over 1000 bird species, almost 50% of Africa’s bird species. In addition to the 1000+ resident species, millions of birds migrate across Ugandan skies en route to summer alternately in South Africa and Europe.
Every year families, conservationists and the tourism industry come together to celebrate Uganda’s Big Birding Day, a series of fun conservation events celebrating birds. Young or old, an amateur or a professional ‘twitcher,’ Big Birding Day has something for everyone.
With a score of 114 species identified by the end of Big Birding Day 2013, our Mabamba team ranked a decent 9th out of 73 teams participating nationwide.
Be part of something BIG – Big Birding Day Uganda: a 24 hour birding contest across the country
How can you take part in Big Birding Day?
Expert bird guides from NatureUganda, Uganda Wildlife Authority staff and Uganda Bird Guides Club lead participants in the main event, a 24-hour bird watching contest. Big Birding Day includes free guided nature walks at dozens of sites across Uganda. Uganda Wildlife Authority provide free entry to the country’s National Parks, Wildlife and Forest Reserves on Big Birding Day (provided you register in advance).
Welcome to Diary of a Muzungu! This week’s guest post is by Angela Dempsey, who was so captivated by her first impressions of Uganda that she contacted me to ask if she could share her experience. Here it is.
I felt a tension, a feeling of foreboding, when I saw a hundred-or-so young Ugandan soldiers lining up in the airport to board a bus in the night. I couldn’t help but wonder where the bus would take these young men next and if they would ever return. Perhaps it was just a routine training expedition but in this part of Africa it was hard for me not to jump to the conclusion that it was war.
Clothes drying on the line
Ugandans and their neighboring countries have wrestled against war for decades. Since the 1980s, Ugandans have endured tragic losses caused by the Lord’s Resistance Army (LRA). In the Acholi region of northern Uganda, where most of the ladies of Aggie’s Arts were born, more than a million people were forced to flee their homes. A large number of those refugees found their way to the south and ended up living in the slums of the capital city of Kampala.
One person I know has likened Kampala to a post-apocalyptic city—like some scene from a sci-fi movie. The roads are paved but there are potholes everywhere. There exists what I term “half-buildings”, abandoned mid-construction, everywhere you turn. The dust of the stripped land of red clay permeates the air and mixes with the pollution of cars and motorcycles to create a hovering cloud over the city. Many of the restaurants, hotels, private residences, schools and churches are surrounded by a 10-foot cement block wall with barbed wire along the top perimeter and have one single-gated entry point with armed guards to ensure no weapons are brought inside. All of this contributes to this surreal sense that you have entered a place that intuitively knows that safety is only a mirage and peace is still a dream.
Woman eating a traditional Ugandan lunch. Aggie’s Arts Uganda
“There is an air of quiet perseverance, kindness and timidity in the Ugandan people that one can only attribute to those who have suffered and survived. This attitude makes you want to help them all the more.”
What really amazed me was the contrast between these surroundings and the people. I observed them as they walked everywhere in their nicely pressed outfits—men in buttoned down shirts and slacks and women in nice dresses with children strapped to their backs. They smile. They work hard. I found Ugandans to be friendly to outsiders when one might expect there to be distrust.
I saw this same attitude in many of our Aggie’s Arts ladies as we visited them in their homes in Banda, a slum outside Kampala.
I was fortunate to be in Banda with the ladies on a Saturday, which is laundry day. There is something about the universal chore of laundry that made me feel immediately connected with their community. They hand washed their few clothes and hung them out in the sun like my grandmother used to do. There was no denying as I walked through this area of the world that life is very, very hard here.
Ugandan kids have the best smiles!
Children are everywhere I walk.
They gaze at me with dark, curious eyes. Many of them called out “Muzungu!” (the name of anyone who has white skin) and they want to shake my hand and say “good morning.” I see a small group of children playing soccer (football) and I think of my nine-year old daughter who would love to join them. Smiling faces in the midst of such poverty is disarmingly beautiful and poignant at the same time. Sadly, for many of these impoverished children, working at the rock quarry or having a child in their early teens will soon truncate any opportunity for education or play time.
A child helping with the clothes washing
Most of the homes I observe are small, 10 foot by 12 foot dwellings about the size of my front porch at home in the U.S. That space is then divided by a thin curtain to keep the living space separated from the sleeping space. The kitchen consists of a small charcoal pit with a pan for cooking and is located just outside. There is no indoor plumbing; no toilets other than a shared hole in the ground surrounded by walls, nearby. If they are lucky, they have a spigot (water tap) nearby and can pay someone for water so that they don’t have to walk miles carrying heavy water from the main spout near the road. Unfortunately, the cost of this water is so high they end up walking anyway. Food is made up of greens, a cornmeal mixture made into “porridge” and rice or beans. The ladies said they usually eat one meal a day.
There is an undeniable desire to help that pierces your heart when you see these ladies, their families, and their hardships. As I boarded the plane to go back home, I knew that I had learned much during my interviews with the ladies and my experience in Uganda. I walked away having seen the transformation that can happen when people are given the opportunity to provide for themselves and their loved ones through the work of their own hands. I am convinced more than ever that Aggie’s Arts is working. I also realized that Aggie’s Arts, here in the U.S., is a vital part of that transformation.
People have asked me if I’d like to go back. Knowing there is still much work to be done, I give a wistful reply of “Someday.” Hopefully, it won’t be too long.
The ladies of Aggie’s Arts Uganda pose for a group photo. First impressions of Uganda
About Angela Dempsey
Angela Dempsey has been a youth mentor, a missionary, a mechanical engineer, and a leadership trainer. She has lived in the U.S. and France. She is a lover of people, travel, and family. She is also a great admirer of coffee, chocolate, and classic literature. She lives in Alabama with her husband, Robb, their two beautiful girls, and a tuxedo cat named Shadow. She is currently the President of the Board of Directors for Aggie’s Arts, Inc. Her trip to Uganda took place in March 2014. Ms. Dempsey may be contacted at adempseywork[at]gmail.com
The Muzungu: thanks Angela for sharing your story. It’s always interesting to see the world through someone else’s eyes. Here is one of my very first blogs about Uganda: Touchdown Africa – a letter home.
Do you have a story you’d like to share? Please read my Guests Posts page for guidelines on the kinds of stories I feature on Diary of a Muzungu.
At boarding school, I wrote long letters home. When I was a teenager, I kept a secret diary (well, I thought I did, until – horror of horrors – my mum revealed some years later that she had read it!)
When I traveled, I wrote long letters home. When my relationship was going nowhere, I kept a secret diary.
and so many other life-affirming East African experiences.
Some people spend a lifetime searching – but I Have Found My Niche and it is here in Uganda.
The five year evolution of my blog – from crappy updates on Blogger to self-hosted WordPress Wow!ness – reflects the development of my own aspirations and my professionalism as a blogger.
Diary of a Muzungu charts my progress. It shows me that if you really want something…
12. … JUST DO IT.
NEVER NEVER NEVER Give Up, said Winston Churchill. By Jove, he was spot on.
You don’t even need to put on those fake trainers 😉
Just Do It trainer heels
Do you write a blog?
What does blogging mean to you? I’d love to read your experiences!
Is climbing Mount Kilimanjaro on your travel bucket list? I love hiking, but there’s a lot more to it than just being fit, as the Muzungu found out when I climbed (the comparatively low!) Mt. Elgon in Uganda.
Thanks to guest writer Apollo Makubuya for sharing your humbling Kilimanjaro experience! Apollo is a lawyer and fellow Kampala Hash House Harrier. Tales of a Novice Climber was first published in Uganda’s Sunday Vision newspaper. All rights reserved.
Apollo writes:
At the stroke of midnight, we were startled by loud bangs on the door.
It was the mountain guides who excitedly rushed in the dormitory-like room, flashing tiny torches strapped around their heads. John, the chief guide announced it was time to start our final ascent to the summit of Kilimanjaro.
Rainbow over Horombo Base Camp. Climbing Kilimanjaro. Apollo Makubuya
In fact, John’s midnight call shouldn’t have come as a surprise: once we had reached Kibo Base Camp, he had briefed us on what to expect.
Yet, for Isaac and I, the call seemed untimely and invasive. Firstly, because we were exhausted from two days of climbing from Marangu to Mandara and later on to Horombo Base Camps. We were desperate to catch some sleep and to recover. Secondly, because of the high altitude and the cold, I felt sick. In our dreary state, combined with the deep anxiety about the final climb, the lack of sleep and the darkness that surrounded us, the call to get out of bed was sad news – but we had little choice, we had come so far. We also had a deep desire to reach the summit.
Without further procrastination, we had to quickly get up and brace ourselves for the ascent. John’s insistent directives that we “eat or drink more water” floated past us: the only thing we could think of taking was more Panadol.
Surprisingly, once outside, I felt a lot better and ready for the climb. At this stage of our climb up Kilimanjaro, it was just me, Isaac, John and Alan. The rest of the porters were to stay behind and await our return.
Before we set off we huddled and asked God to guide and protect us on this invincible journey.
“Where am I going?” A walk in the barren wilderness. Climbing Kilimanjaro. Apollo Makubuya
The idea to climb a mountain was one I have had for some time. I was never clear which mountain it would be.
Once, I’d driven to the base of Mount Meru. This increased my interest in mountains. So, when Diana asked me to join an excursion she was planning to Kilimanjaro, I was quick to say yes, and to recruit Isaac on the team.
The challenges associated with climbing any mountain, let alone Mount Kilimanjaro – especially the need for special climbing gear and training in a high altitude environment – only dawned on me much later.
My casual approach to the affair was partly because I had been physically active in the weeks before the climb. However, as the date for the climb approached and I gathered more information, it was clear that we needed to acquire and carry a whole range of things including woollen hats, upper body layers, fleece jackets, gloves, rain parka, long underwear bottoms, wool pants, rain trousers, tights, heavy wool socks, hiking boots, sleeping bags, head lamps, walking sticks, rucksacks, water bottles and a whole host of ointments and medicines.
While Diana seemed to have her act together, Isaac and I made a last minute effort to get these items in Kampala. The only problem was that no single shop in Kampala sells winter or mountain gear! Our only recourse was to get the stuff from Owino – a downtown second-hand clothes market – via Sula, Isaac’s old friend. Sula’s efforts to find this gear in Kampala were both impressive and hilarious. Impressive – because for about $100 he came up with so many bags, jackets, gloves and woollen hats that you would never expect to be in Uganda. Hilarious – because he bought stuff like bulky full-length woollen jackets that were clearly incompatible with mountain climbing. But, thanks to his efforts, we were saved from the exorbitant rates that the mountain guides charge for the same used items at Moshi.
Anxious trekkers – Climbing Kilimanjaro. Apollo Makubuya
We set off for Kilimanjaro on Friday and started the climb at Marangu Gate (1,970m) the next day, with a team of ten porters. Led by Albert and John, the porters carried the food, water and cooking equipment necessary for our stay on the mountain. We hikers carried lighter loads – cameras, rain jackets, water and snacks.
On day one we enthusiastically trekked for about four hours through thick montane tropical forest belt from Marangu Gate to Mandara Base Camp. The guides had to occasionally restrain us from moving faster, advising that we should go pole pole i.e. slowly. As some form of initiation or cleansing, we were pelted by rain as soon as we started the trek, so it was a relief to reach Mandara Base Camp (2,700m) late afternoon. The camp, encircled by thick forest alive with Blue Colobus monkeys, was nothing much to write home about; neither was the food – popcorn, biscuits, pasta and cabbage soup – nor the crammed bunk beds in the triangle-shaped green tin-roofed cabins that we shared. For bathing, we were each provided with a small plastic bowl of warm water.
Climbing Kilimanjaro. Diana, Isaac and Apollo with Mawenzi Peak in the background
Thus on day two, we were eager to get on with a seven-hour hike that passed through open and scenic heath and moorland of the Kilimanjaro. The vegetation was completely different from the previous day, the route more hilly and jagged. The pace was thus slower and the conversation limited. We crossed several bridges with small rivers rapidly flowing downhill. For the first time we saw the peaks of the mountain in a distance. This increased our adrenaline.
On their descent, we greeted – with a simple Jambo – other climbers and laden porters. Knowing what I know now, some of those Jambo were a form of sympathy for what they knew lay ahead for us. Climbing Kilimanjaro can be a life and death affair. At least ten people die annually trying to climb Mount Kilimanjaro. About 30% of those who attempt it fail because of Acute Mountain Sickness (AMS) that hits randomly – regardless of sex, age or fitness.
Well-trodden trails through breath-taking vegetation. Climbing Kilimanjaro. Apollo Makubuya
The day’s trek ended at Horombo Base Camp (3,720m). Here the temperatures were markedly cooler and the environment more serene. For some reason there was more activity and movement of guards, porters and climbers. As was the routine, we quickly checked into our triangular black-roofed cabin and later to a small dining hall. At dinnertime, Diana declared her wise decision to rest the next day in order to acclimatize more. No amount of persuasion would dissuade her, yet Isaac and I were keen to finish the climb in five days so that we could visit the Ngorongoro Crater before returning home to Kampala. In the end, we sadly agreed to split our team and leave her behind with Albert.
In spite of the exhaustion, I struggled to catch any sleep that night. The tight and unfamiliar sleeping bag did not help.
“So near yet so far” – Uhuru Peak behind me was in fact two days walk away. Climbing Kilimanjaro. Apollo Makubuya
At about 9.00 a.m. on day three, Isaac and I set our eyes on Kibo Base Camp. John, our new chief guide, set the pace for yet another seven-hour trek. As we moved along we noticed yet another drastic change both in the vegetation and the temperature. At this height we were seeing the clouds below us and it felt as if we were at once floating and walking. Our pace was even slower. The need for the wool jackets, gloves and scarfs was rising. Short and sparse green shrubs and giant alpine palms replaced the lush moorland. The landscape was filled with huge ancient-looking rocks covered with moss. At about 2.00 p.m. we stopped briefly for a sandwich at a place between Mawenzi and Kibo peaks called “The Saddle.”
The hike thereafter was in a barren alpine desert. It was a tough walk in the wilderness. No life, no vegetation at all. All we could see were endless miles of hilly grounds with brown/reddish sandy soils and rocks. A drab sight. The melancholy was heightened by stories of descending climbers who had given-up on the climb and not “summited”. The sight of scampering porters evacuating a dazed climber on a stretcher – also known as the “Kilimanjaro Taxi” – did not help lift our spirits.
“When the going gets tough…” climbing Kilimanjaro. Apollo Makubuya
By the time we reached Kibo Base Camp (4,700m) we were completely knackered. Staring at us was Gilman’s Point, one of Kilimanjaro’s peaks. The point was so high above us, and the air so windy and hazy, that it was impossible to tell how on earth, we were going to reach the top. Opposite us was the chiselled Mawenzi peak standing at 5,149m. But if the Horombo Camp was cold, the Kibo Camp, perched on top of aged mean-looking rocks, was freezing! In no time we were ushered in and locked up in a dormitory structure. Isaac just crashed on top of his bunk bed in a sleeping bag – complete with shoes, gloves, scarf and jacket. Without any heating, it felt colder in the room than it was outside. I was shivering from deep inside and my head was throbbing. No amount of ginger tea could warm me up. Yet, John had said, we had just a few hours to rest before we started the final climb at midnight.
I did not rest, especially because when the “chef” served us our last meal – before the final ascent, my stomach refused to hold it. So, as I lay nauseated in my sleeping bag, I dreaded the moment that John and the rest would come for us. Many difficult thoughts were whizzing in my mind:
“Shall we make it?
How did I end here?
Could I have prepared myself better?
Will the headache get worse?”
A dry Protea Kilimanjaro plant “at maturity the flowers dry and open up and the lifeless form appears to have been burnt by a bush fire” – Climbing Kilimanjaro.
As those thoughts ran in my mind, there were loud knocks on the door. It was John and Co. The moment had arrived. Feeling like a zombie, I sat up and started dressing up in several layers of T-shirts, sweatshirts and a jacket for the upper-body and the same number of layers for the lower body plus Sula’s two pairs of thick knee-high stockings.
The final climb from Kibo Camp to Uhuru (Mount Kilimanjaro’s highest peak) ordinarily takes five hours. The ascent starts at night so that one can see the sunrise from the peak – or so we were told. I suspect though that the real reason for this timing is to avoid the terrifying sight of steep slopes and heights ahead of climbers.
We began the ascent in slow motion, heads bowed, clutching the special walking sticks. For the first few hours, as if in a funeral procession, we moved slowly in the dark and in total silence. It felt eerie. Once we passed the Indian and William Points, completely out of the blue, my stomach stiffened and I started throwing-up again. I sat down to stabilise and got up after a few minutes. Strangely after the episode I felt stronger and got a second wind. In jest, John said “it’s good to get rid of the bad stuff.”
It wasn’t funny.
Giant Groundsel Senecio (Dendrosenecio kilimanjari) first appeared on Mount Kilimanjaro more than one million years ago. Climbing Kilimanjaro. Climbing Kilimanjaro. Apollo Makubuya
Far ahead of us we saw moving lights. We thought they were moving stars. But it was another group of climbers using a different route. Although it was good to know that there were others on the trail, we were discouraged because they seemed to move much faster. With stars on my mind, and about three quarters up the mountain, I had another attack. I sat on a rock and went through the motions.
I felt dizzy. John and Isaac were visibly worried. Somehow this scared me more than anything else. I was in their hands. “Was this the dreaded AMS?”
A decision had to be made on whether I should return to the camp. But, AMS or not, returning to the camp was out of the question for me. I convinced myself that I would be ok. Encouraged by my resolve, the rest agreed to continue. Phew!
Our guide predicted that this glacier will disappear in a few years. Climbing Kilimanjaro. Apollo Makubuya
After this point, our pace reduced drastically, made worse by the snake-like path from the Hans Mayer Point.
We were moving in a zigzag way and making little headway. Every few minutes, we needed to sit down to catch some breath. Strangely Isaac tended to doze off each time he sat down. No amount of glucose could boost my energy levels. On the horizon we saw the sun rising ahead of us yet we had not yet reached the peak. We were behind schedule. The air was very thin and our breathing very hard. There is 50% less oxygen than at sea level here. Gilman Point was almost 100m away. The guides figured it would take us another 30 minutes. We needed to be there before the sun fully came out. The guides must have been irritated by our snail’s pace and constant breaks. In what seemed like an eternity, and after climbing one boulder after another, we literally crawled up to the top of Gilman’s Point (5,681m).
It was a most sobering experience. Isaac there first. John and I followed in a few minutes. Time check was about 6.30 a.m.: it had taken us six and a half hours to reach Gilman’s Point. The sun was fully out.
At the top, I found Isaac motionless on a rock with his head in his hands. The woollen hat covered his face. I wondered what was going on in his mind… He must have fallen asleep! He didn’t seem interested in anything else in the world, not even taking pictures. Apparently his camera had frozen. Thus while it was a moment of accomplishment it was not one of much jubilation. There was no energy for that.
“I made it!” The summit of Gilman’s Point. Climbing Kilimanjaro. Apollo Makubuya
At Gilman’s Point, we saw for the first time the entirety of the snow-capped peak of the Kilimanjaro with its gaping white crater plus the unbelievable glaciers that surrounded us. It was a “wowing” new, white frozen world. I could not take enough pictures and momentarily forgot the exhaustion and pain of getting there. After a few minutes it was time to stand up and get going to the next peak. But Isaac was to have none of that! Enough was enough.
I wanted to continue to the next peaks of Stellar (5,739m) and Uhuru (5,895m) – both of which were within sight – but the thought of leaving my man behind got me confused. So even though we agreed that I continue on my own, after walking a few steps in the snow towards the next peak, my legs became weak and I turned back.
It was an anti-climax.
I felt wholly drained. I soon caught up with Isaac to begin the descent. And what a perilous descent it was!
A sobering thought: it’s predicted that this glacier will disappear in a few years… so climb Kili now. Climbing Kilimanjaro. Apollo Makubuya
I cannot count the times each of us fell on the way down.
To increase the pace while saving energy, we tried gliding on some loose gravel but this led to even more falls. At one point Isaac fell and failed to get up. He was sick. It took at least ten minutes for him to revive. Clearly we had not reserved energy for the descent.
And while the Kibo Base Camp was in sight, it was like a mirage; it seemed to get further and further away as we approached it. We finally got there at 11.30 a.m. whereupon John told us to take two-hour rest before we pack up and leave for Horombo – some seven hours away!
Without any options and not wanting to suffer the “Kilimanjaro Taxi,” we left Kibo at about 2.00 p.m. and endured a repeat journey in the wilderness. On the way, we met Diana and Albert and wished them the best with a Jambo! (Both made it successfully to Uhuru the next day).
By the time we got to Horombo, we were finished. It was impossible to imagine how we would make it to Maranga the next day. Thankfully John and his crew negotiated for us to hitch a ride to Moshi town with the mountain guards after we had covered a few miles the next day.
A true Hasher! Apollo appreciating the local brew
We are lucky to live to tell the tale of an extraordinary, exhilarating and humbling climb to the top of Africa. Jambo!
Thanks Apollo for sharing your amazing experience. Apollo Makubuya is a lawyer and fellow Hash House Harrier. Tales of a Novice Climber was first published in Uganda’s Sunday Vision newspaper. All rights reserved.
Mt Kili Madness” – breaking cricket world records at 5,752 metres!
In other news, on 26 September 2014, Mount Kilimanjaro was the setting for the Highest-altitude cricket match, as recorded in the Guinness Book of World Records. “Mt. Kili Madness” was played at 5,752 m (18,871 ft) above sea level, in a dormant volcano crater on Mount Kilimanjaro, Tanzania. Two of the African-based charities that benefit from “Mt. Kili Madness” include the Cricket Builds Hope and Tusk, the wildlife conservation charity.
“Mount Kili Madness” recorded a new Guinness World Record for cricket in September 2014
“Unmapped” – Who are the unheard voices of our cities? KLA ART 014, Kampala Contemporary Art Festival
Now you’ve seen it all! ‘Cow on a boda boda’ on display at the launch of KLA ART 014 at Kampala Railway Station
This year Kampala residents are being treated to a wide range of original African art: August’s Kampala Art Biennale has been a highlight of 2014, and KLA ART 014, Kampala Contemporary Art Festival, this October is set to be equally enlightening.
Kampala Contemporary Art Festival KLA ART 014 official poster
Two years ago, my friend Robert announced that, rather than come drink beer with yours truly, he planned to give up his Saturday to visit some old shipping container in downtown Namuwongo. (The Muzungu has been stood up for less I suppose, but I digress…)
In fact, Robert was taking part in the inaugural KLA ART event, in which a number of old shipping containers were converted into art installations. It was their placement in and around various Kampala ‘no go areas’ that really caught my attention: here was art physically ‘going to the people’.
Inviting someone to a gallery is in a sense ‘preaching to the converted.’ A gallery visitor is someone who already ‘gets’ art, already appreciates art, who perhaps even already creates art.
A contemporary art festival, such as KLA ART 014, takes art to the next level: inviting Ugandans to think and talk about art, to express themselves through art – something they may have never done before.
Participating Ugandan artist Helen Nabukenya at press launch for KLA ART 014 Kampala Contemporary Art Festival
KLA ART 014 is Kampala’s contemporary art festival.
Throughout the month of October, the festival is unveiling new artworks from 30 artists from Uganda, Ethiopia, Tanzania, Kenya, Congo and Rwanda, asking the question:
‘Who are the unheard voices of our cities?’
According to Violet Nantume, Curatorial Committee, KLA ART 014:
“The bicycle knife sharpener; the express fashion designer; the mobile nail salon: they fill every corner of the city. ‘Unmapped’ will attempt to artistically showcase how people from every stratum of society adapt creatively to survive.”
Have you ever been inside Kampala Railway Station? Now’s your chance!
This free-to-attend Festival Exhibition features ten artists displaying their interpretation of Kampala’s “Unmapped.” (The Muzungu admitted to being very keen to have a nose around this iconic Kampala landmark and was delighted to be invited to the VIP preview).
At Kampala Railway Station the public has a chance to meet and discuss the artworks with the artists themselves.
Selected artists work on a variety of media, from paintings to sculpture, and fabrics to music.
Unusually, many VIP guests arrived before the 6 pm opening time – so keen were we all to be the first inside Kampala Railway Station!
Thanks to KLA ART, Rift Valley Railways, KCCA and Umeme, Kampala Railway Station is open to the public for first time since 1994
Kampala Railway Station is open to the public for first time since 1994. All the original features are in place
A brilliant exhibition space! KLA ART 014 Kampala Railway Station Exhibition main hall
Rocca Gutteridge, Project Director, KLA ART 014 says “KLA ART 014 offers a platform to showcase new and emerging ideas by contemporary Ugandan artists. KLA ART is a two-year process of thought, production and experimentation resulting in a unique festival, which directly links artists, artworks and audiences.”
The Boda Boda Project
At the VIP launch, we had a chance to meet the artists behind the Boda Boda Project who have transformed 20 boda boda (motorbikes)into public artworks. The Boda Boda project is all about giving Ugandans access to contemporary art and these 20 bodas will be ‘mapping’ the streets of Kampala throughout October, driving north, south, east and west to engage with the community and chat about contemporary art.
‘Cow on a boda boda’ – a statement on the mistreatment of transporting animals – on display at the launch of KLA ART 014 at Kampala Railway Station. Creation of artist Grace Sarah (pictured) with inquisitive soldier!
How would Uganda manage without boda boda transport?
Reagan Kandole, from the Waste Management Education Project, WaMeP, watering the plants growing in the recycled boots decorating his boda boda. Every item on his boda boda had a purpose – I love it!
Kampala Railway Station is such an inspiring venue for the exhibition – here an artist discusses his work on the Boda Boda Project
The KLA ART artists and their boda boda creations are creating temporary exhibitions in a variety of locations across the capital. An interactive recording studio and a travelling cinema are just two of the innovations that will be touring the streets of Kampala on boda bodas.
I can’t wait to see how the streets of Kampala are transformed by this mobile exhibition!
I wonder too what the first-time art visitor will make of some of the ‘weird and wonderful’ boda boda creations on display?
KLA ART comes at a time when Ugandans have been discussing this year’s census: when people have been asking themselves quite a fundamental question: “if I don’t register, then do I exist?” Will the “Unmapped” recognise themselves or their situation in these pieces of contemporary art? It will be interesting to hear the feedback.
Here is the KLA ART free programme of events showing where the 20 boda bodas will travel to each day between 4th and 31st October.
What’s more, the KLA ART 014 free programme of events includes:
The Festival Exhibition – open every day at Kampala Railway Station from 10 am – 6 pm.
The Boda Boda Project – launching every day from the Railway Station and driving from there to a different location in Kampala
Have you noticed that the more Safaris you go on, the smaller the animal that catches your eye? It could be the butterflies or the reptiles; for some it’s even the insects! But, increasingly, with a pair of binoculars and a professional guide, it’s our feathered friends that are causing the excitement.
African Fish Eagles. PHOTO Sherry McElvie Wildlife Photography
Few areas of the world can boast over 600 bird species; Uganda’s Queen Elizabeth National Park – one of the world’s most biodiverse Protected Areas – is one.
Queen Elizabeth, an area covering 1978 km², owes its rich biodiversity to its variety of habitats: Savannah, freshwater lakes, grasslands, swamps, Acacia and Euphorbia bush, salty crater lakes, moist tropical forest and more. It contains a Ramsar site (protected wetlands of international importance) and an IBA (Important Bird Area). Thus a trip to Queen Elizabeth is a trip to many different habitats with many different types of birds, some of them endemic – that’s to say unique to that particular place. The time of year will also affect which birdlife you will see, as many non-native species migrate over the country en route between Europe and summer nesting sites in South Africa.
Euphorbia cactus, Mweya Peninsula, Queen Elizabeth National Park Uganda. In the far distance is the DR Congo
Birdlife in Queen Elizabeth shows biodiversity at its best. Nature has adapted birds to fit every variety of habitat: it’s all about survival, and each bird’s characteristics have evolved to suit its particular ecological niche. Did you know… Queen Elizabeth National Park has more bird species than any other of Uganda’s National Parks?
Where is the best place to see birds in Queen Elizabeth?
From the enormous Goliath Heron, a statuesque 1 metre high, to the tiny jewel-like Malachite Kingfisher, Queen Elizabeth’s bird life offers something for everyone to admire.
Blue breasted Bee eater. PHOTO Kaj Ostergaard
As our boat slowly meandered along the Kazinga Channel towards Lake Edward, our excellent Uganda Wildlife Authority guide Bernard listed the different bird species we passed.
Highlights included: Common Squacco Heron, Greenshank, Wood Sandpiper, Common Godwit, and a Water Thick-knee (a Wader with big eyes) feeding on the shore; and a lone African Spoonbill (its bill really does look like a spoon!) behind them.
We admired the gorgeous monochrome Sacred Ibis with its elegant curved beak; handsome Egyptian Geese and a Eurasian Marsh Harrier and an African Fish Eagle looking down at us from a tall tree.
Flocks of loud, luminous Glossy Starlings flitted from bush to bush; vibrant Madagascar Bee-eaters and beautiful little, water-loving Blue Breasted Bee-eaters hovered in and around the burrows they’ve excavated out of the earth banks.
Pied (black and white) Kingfishers are a common sight, hovering in the air before plunging beak first into the water – an incredible 1,900 were recorded one July – and Yellow-billed Oxpeckers perch on the backs of Buffalo, removing their ticks (an arrangement that suits both parties well!)
Uganda’s famous scrawny old men of the bird world, the famous Marabou Stork, are residents of the Kazinga Channel too. These ugly birds are surprisingly elegant – just see them glide atop the thermals.
Marabou Stork outside UWA’s Tembo Canteen on Mweya Peninsula, Queen Elizabeth National Park, Kazinga Channel in the background
As we approached the lake, flocks of thousands of birds flew off in a circle above our heads alighting again on the sandbars at the water’s edge : White-winged Terns, Great and Long-tailed Cormorants, African Skimmers (Queen Elizabeth is the easiest place to see these large birds), Great White and Pink-backed Pelicans, the psychedelic Saddle billed Stork, and Great White Egrets.
Back on the Mweya Peninsula, look out for the enormous nest of the “King birds”, the Hammerkop, the biggest nest of its type (also home to the occasional snake!) and a favourite vantage point for Eagle Owls. With more time, a visit to Munyanyange Crater Lake north of Katwe is an absolute must – over 2,000 Lesser Flamingos were counted there one February.
As for the famous yet elusive Shoebill? Well, you’ll just have to ask your guide nicely if he’ll venture into the dense papyrus beds of Lake Kikorongo to spot one!
This is my dad! Looking for birds but actually spotting buffalo and hippo on Lake Nyamunuka crater lake, north of Mweya, Queen Elizabeth National Park
Is bird watching in Queen Elizabeth on your itinerary?
It certainly should be!
Birding is just one of the many different wildlife experiences Queen Elizabeth has to offer.
Sometimes you don’t need a telephoto lens! This gorgeous pair just strolled right past our car… early morning lions in Queen Elizabeth National Park,Uganda
Have you been bird watching in Queen Elizabeth National Park?
Where is your favourite place to watch birds in Uganda?
Uganda’s National Anthem – A plea to Ugandans from Meronie Agaba
Uganda Conservation Foundation’s Map of Uganda. Anti-poaching and human wildlife conflict projects with the Uganda Wildlife Authority in Queen Elizabeth and Murchison Falls National Parks
In recent weeks, Uganda has been alive with talk about the perceived need to ‘jazz-up’ the country’s National Anthem. “Oh Uganda, Land of Beauty” was adopted in 1962 with words and music composed by George Wilberforce Kakoma.
Coincidentally, Meronie Agaba recently sent me her “Love letter to Motherland Uganda” – her interpretation of the National Anthem’s meaning and a plea to Ugandans to reconnect with their common heritage.
Background to Uganda’s National Anthem debate
Tourism Minister Maria Mutagamba announced that Ugandan playwright Alex Mukulu was in charge of a project worth about 180 m Uganda shillings ($75,000). The Minister explained that the objective was not to change the anthem but to portray its message in drama as a tool for promoting Uganda and to help an increasingly-indifferent Ugandan public identify with their mother country.
This project has polarised debate, with many Ugandans totally against any messing around with what they consider a sacred song. According to Uganda’s Observer newspaper“This whole obsession with aesthetics seems to speak to the hankerings of more impressionable youth that prize form over substance. Uganda’s national anthem is not terribly wanting, and the country has more pressing needs on which it could spend Shs 180 m.”
Meronie Agaba: “This tribute is my love letter to motherland Uganda.”
Pair of Cape Buffalo in Murchison Falls National Park, Uganda. Spot the Oxpeckers on their backs, cleaning the animals of ticks!
Oh Uganda my motherland
May God uphold thee
As we lay our future into thy hands
Through prayer and repentance, staying on our knees,
With our hands lifted up to the king of kings, God almighty
Committing ourselves, our nation, to you
A handsome Uganda Kob poses for the camera in Murchison Falls National Park
That you oh God shall give us a Vision
To acknowledge that blessed is the nation whose God is the Lord.
For Unity, Freedom, and Liberty we stand
Together as one, committed to serve our Motherland
Crested Crane, the emblem of Uganda. PHOTO Andy Gooch
Interview with Meronie Agaba
The Muzungu: What made you decide to write this poem?
Meronie Agaba: I have a deep passion for my country and humanity at large. If I was a singer I could compose love songs for Uganda!
The spark to write this poem came when the late Kakoma, composer of the Uganda National Anthem, passed on. Others wrote eulogies to him in the newspapers, but I had no access to that audience so I went back to the National Anthem and read it again and again, trying to find out what message he actually wanted to put forward for Ugandans. As I did this, I got a deeper sense and understanding of the anthem and came to appreciate it almost as a living piece of writing since its messages actually portray what Uganda is today. I got my pen and paper and wrote the poem, which I would say came out as a deeper interpretation of the National Anthem.
The Muzungu: So what is your view on the current debate about changing Uganda’s National Anthem?
Meronie: I am against changing the National Anthem. I would rather the National Anthem is interpreted to the people so that Ugandans can relate with it more. The intention of the poem is to reveal the message underlying the Uganda National anthem.
The Muzungu: What are you hoping to achieve with this poem?
Meronie Agaba: I believe that for any relationship to develop and grow, deliberate efforts have to be taken. I want this poem to be a tool that I and others who believe in it can use to inspire, and develop attitudes of young Ugandans to appreciate their country, their role in upholding its pride, conserving nature and more. I want this poem to be a “Love song that every Ugandan can passionately sing for our Motherland.”
The Muzungu: What would you like people to think about when they read your poem?
Meronie Agaba: “Do not take my Motherland for granted! One time she conceived me, she nurtured me in her womb, I fed on her blood, and behold she delivered me. She was still young, green and energetic; she was fertile. Despite the many children, she fed them all, on the green plantain, the milk and the honey. The lakes and rivers that fed her were still fresh and clean. The tree canopies towered above my head; the scent of nature was still abundant, the soils were not yet sick. The wild fruit was still at large, foraging children returned to their homes satisfied, fed by none other but the plentiful Motherland. Now Mother Land is old and faded, the rivers are drying up, the swamps have become people’s living rooms, the tree canopies are bare stumps and the clean breath of nature is gone.
But I cry for a remedy, I say it’s not all over my children. Let’s amend our relationship, let’s reason together, stop killing your lifeline, I am Mother Land, do not hurt me, do not plot against me, do not strip me naked, respect my God-given Status, I am Mother Land!
When I cry you will cry along with me, when I smile you smile along with me! You are educated yes, I do appreciate that, but get some learning I say; I am your Motherland. Be united; you share a common heritage, Conserve nature and environment; without it you will die,
I am your Motherland, without you I would be a forest, but without me you would be homeless!
I am your Motherland, I am your hope, I am your future: I am Uganda!
Meronie on a boat trip on the River Nile in Murchison Falls National Park enjoying Uganda’s natural beauty
Namara Meronie B. Agaba mnagaba gmail dot com is a Business Development Manager based in Kampala. She is married with children. (No doubt Meron has been talking conservation with her husband Patrick, who I worked with at the Uganda Conservation Foundation for nearly 3 years.
Meronie’s love letter to motherland Uganda was first published in the February 2013 edition of “Tarehe Sita Magazine.”
So what do you think of Meronie’s poem Love letter to Motherland Uganda? Please put your comments below.
If you like her poem please share it on Facebook and elsewhere!
Do you have a story or some advice you’d like to share? Please read the Muzungu’s Guests Posts page for guidelines on the kinds of stories I feature on Diary of a Muzungu.
Kampala is a dynamic city, bursting with talent. I love this city.
Throughout August this year, Kampala Art Biennale is a showcase of contemporary art from Africa with the goal to expose, educate and create debate about the value of art in society. The Biennale consists of an exhibition of 100 artworks including paintings and photographs, showcasing 45 artists from 13 African countries working under the theme of PROGRESSIVE AFRICA and featuring panel discussions on the relation between art, culture and tourism.
The Muzungu: It’s always great to hear of new initiatives for channeling people’s creativity and giving them a stage and I’m sure the Kampala Art Biennale 2014 marks an important step in putting Kampala’s art scene on the tourist route. I’m really excited to have been asked to help promote this event.
EVERYONE IS INVITED – and that means you! Inaugural Kampala Art Biennale ” an international art event to promote Kampala and Uganda as an art tourism destination”
Kampala Art Biennale was established by the Kampala Arts Trust a collective of visual and performance art practitioners living and working in public and private spaces within Uganda’s capital.
Daudi Karungi on the newly painted zebra crossing at Aga Khan School in Kampala this week “Educating Kampala society about the value and importance of contemporary art”
Kampala Art Biennale is afro-centric in nature and seeks to promote only artists (foreign or native) working on the African continent. It was established to recognize and integrate African contemporary art that is being created on the peripherals of the mainstream.
The Kampala Art Biennale is an opportunity to see visual arts in various venues across the city. Much more than that, it is an opportunity for debate and discussion on how Africa can transform itself and how creative industries can help generate economic growth. Promoting Kampala as a destination for art lovers is just one way the tourism industry can benefit and in turn help develop Kampala and Uganda.
Paul Ndema, wings spread-38cm x 55cm-acrylics and ink on water colour paper
Kampala Art Biennale: Theme
PROGRESSIVE AFRICA is a theme derived from the current Pan African – and increasingly global – discussion of AFRICA IS NOW versus AFRICA IS THE FUTURE.
Today in Africa, there are divergent views about the status of Africa in the global village. Some say the world is moving to Africa for opportunities while others say African economies are becoming global markets. These conversations discuss which strategies are the best to accelerate Africa’s progress. All these dialogues suggest one thing; that something is happening on the African continent whether right now – or as it moves into the future.
Under the theme PROGRESSIVE AFRICA, the Kampala Art Biennale 2014 is part of this discussion. African painters, photographers, illustrators, cartoonists, writers and all 2D media artists have been invited to present their perception of the current status of Africa through visual art.
Viewers and visitors will then join in the discussion – pro or against the purported progress – with the help of the invited artists’ resulting 100 images, the aim being a questioning of African political, social and economic practices.
According to Kampala Art Biennale 2014: “The Biennale will serve as a conduit through which to start a debate that we so desperately need right now about a modern and progressive Africa starting right here in Kampala. There is a need to generate discussions centered on looking beyond aid to the financial resources Africa needs to enable transformative growth.”
Zerihun Seyoum – Adoption-oil on canvas-2013
Kampala Art Biennale: dates to remember
1st August 2014
Art, Culture and Tourism panel discussion with experts from the art, culture and tourism sectors. Uganda Museum, 16:00 hrs. On invitation, live on social media
1st August 2014
Official opening of the Kampala Art Biennale 2014 PROGRESSIVE AFRICA exhibition. Uganda Museum, 17:30 hrs.
2nd – 31st August 2014
Kampala Art Biennale 2014 PROGRESSIVE AFRICA exhibition. Open to the public at various venues across Kampala.
Georges Senga, UNE VIE APRES LA MORT, SIZE DYPTIQUES, 140Cm X 84Cm PRINT Inkjet on barité paper
The Biennale exhibition will be on throughout the month of August 2014 at various venues.
Kampala Art Biennale: Venues
The inaugural Kampala Art Biennale will take place across Kampala at traditional art venues such as Nommo, Afriart and Makerere Art Galleries and the Uganda Museum;
in community venues in heavily populated parts of Kampala, such as offices and hotels (to put art in people’s everyday lives);
and in ‘non-traditional art venues (such as factory, unoccupied buildings and Kingdom Mall building site opposite Oasis Mall).
Florine Demosthene, Bitta Disappointment,72cm x 91.44cm, Ink, charcoal, graphite and oil bar on polypropylene
Kampala Art Biennale: side events
Kampala Art Biennale 2014 is partnering with other art and cultural organizations to run a series of side events. More details of these can be found on the Kampala Art Biennale website.
Launch of the Kampala Art Biennale at the Uganda Tourism Board with artists Daudi Karungi and Henry Mujunga and Simon Kaheru, Afriart Gallery. Oh yeah and some Muzungu chick 😉
What is a Biennale?
Biennale [pronounced bee-en-ar-lay] comes from the Italian word for “biennial” or “every other year.” It is most commonly used within the art world to describe large-scale international contemporary art exhibitions.
A Biennale usually has an official theme, spotlights artists of the same nationality as its host city, and is held all over the host city in a number of venues simultaneously. Additionally, Biennales are non-commercial, meaning artists are invited or selected to take part, but don’t sell their art at the Biennale.
The Venice Biennale is the originator of them all, established in 1895. Around the world, there are now over 60 art Biennales.
“Born as a vehicle for national propaganda, the art biennial today has become an outsize phenomenon mobilizing not only artists, curators and gallerists but sponsors, celebrities and politicians, commanding huge press attention and deciding the careers of artists worldwide. For a city to host a biennial today has colossal ramifications.”
Kampala Art Biennale: contacts
Elizabeth Mbabazi, Afriart Gallery, info@kampalabiennale.org +256 772 662 575
Daudi Karungi, Kampala Arts Trust, daudi@afriartgallery.org +256 712 455 555
Launch of the Kampala Art Biennale at the Uganda Tourism Board: “Using art to rebuild the creative, jubilant and celebratory spirit of Kampala”
The Kampala Art Biennale initiative is part of a strategic partnership between Kampala Arts Trust and Uganda Tourism Board. Encourage everyone you know to attend at least one of the galleries or venues in Kampala during August.
Save the Nile. Help us Save Adventure Tourism in Uganda
Access denied. If the Isimba Dam is constructed at its current proposed height, the rapids will be flooded and Uganda’s world class Grade 5 white water rafting will be consigned to history forever. Please help us get this decision changed! Photo Nile River Explorers.
The situation regarding the Isimba Hydro Power Project on the River Nile below Jinja has reached a critical stage!
In the next few weeks The World Bank, and Uganda’s National Environmental Management Authority (NEMA) will decide on the final size and scale of the Hydro Power Project. Will they authorize a smaller version of the dam? Or will they break an international agreement between the World Bank and the Government of Uganda to conserve this beautiful stretch of white water, and protect the booming adventure tourism industry and thousands of local jobs?
This decision is going on largely behind closed doors but we need to let the World Bank know that protecting the river and the Ugandan tourism industry is IMPORTANT TO YOU!
Background to the project
The Ministry of Energy and Mineral Development is planning to construct a hydro dam on the Nile at Isimba Falls, 50 km downstream from Jinja. The new dam will create a large reservoir of around 28 km² submerging the white water rapids on this section of the River Nile.
When the Bujagali Dam (hydroelectric power plant) was constructed, the World Bank and the Government of Uganda signed the Kalangala Offset Agreement. This binding agreement is supposed to protect specific, downstream sections of the River Nile free of construction of new dams and also protect the integrity of Mabira Forest.
Back in the day… posing for photos at Bujagali Falls, Jinja, 2010 #SavetheNile
According to Professor Wolfgang Thome, “any change of heart by the World Bank would amount to a fundamental breach of confidence and trust between the Bank and Uganda’s tourism fraternity.”
After the rapids at Bujagali were flooded, the rafting and kayaking companies moved activities downstream – below the dam – at significant expense. What will happen this time?
What impact will a new dam have?
This exceptional stretch of white water is famous worldwide. It is safe and warm; its consistent flows allow access to the river activities throughout the year, bringing tens of thousands of people to Uganda annually. A booming industry has been built around the white water and Jinja is regarded as the ‘adventure capital of East Africa.’ A large number of thriving businesses have grown around the central river adventure tourism activities: hotels, restaurants, taxi companies, boda boda drivers and shops.
An estimated 50,000 people take part in adventure activities every year around Jinja; many of whom would not travel to Uganda were it not for the amazing rapids.
If the Isimba Falls Project goes ahead in its current form, it will be a MASSIVE economic blow to Jinja. An independent study on the impact of the Isimba Hydro Project lists over 200 tourism related companies that will be affected. The vast majority are owned and run by Ugandans; collectively they employ thousands of Ugandans in long term, well-paid jobs.
Although “Isimba dam to create 3,000 jobs” – apparently – these are only temporary: constructing the dam.
Although different options for the size and scale of the Isimba dam were proposed, the decision has already been made to go with the largest scale option, the one that will destroy tourism.
The smaller dam option offers a balance of: much needed extra power for Uganda, while allowing adventure tourism to continue to flourish and expand, driving development forwards in the Jinja region.
You can also help by sharing this post and information – thank you! #conservation #Uganda #Nile #savetheNile#saveadventuretourisminUganda
Save the Nile. You can help!
Please email and/or write to your local World Bank representative, wherever you are in the world, and let them know that you are concerned about this issue!
Please send them a letter and write them an email expressing your concerns. A template for the email/letter is below, which we suggest you modify to make it more personal:
Dear (ENTER REPRESENTATIVE’S NAME),
Representative for the World Bank in (ENTER YOUR HOME COUNTRY / REGION).
I am writing as a concerned citizen of (ENTER YOUR COUNTRY) about a serious issue in Uganda, which directly concerns The World Bank.
As a mitigation measure for the (World Bank backed) Bujagali Hydro Power Project, a conservation agreement called the Kalagala Offset Agreement was formed. The agreement between the World Bank and the Government of Uganda was put in place to protect the remaining stretch of rapids and river banks in the same region, for the sake of minimizing impact on the environment, the local people and eco tourism which flourishes in the area. Now, the Isimba Hydro Power Project will flood a significant portion of this conservation area – thus breaking this agreement.
Isimba HPP is funded by the Chinese government, and due to be constructed by a Chinese construction firm, both of whom seem unconcerned that a conservation area is due to be flooded. I am urging The World Bank to act on behalf of the thousands of Ugandans due to be negatively effected, as well as the environment, and the tourism that generates large amounts of income in an otherwise under developed region. Fifteen thousand people, including 12,000 Ugandans from the immediate area, have signed a petition demanding the agreement be upheld and a smaller version of the Isimba HPP to be constructed (which would leave the conservation area unaffected).
Please stand up to China and the Ugandan government and uphold the agreement that is laid out by The World Bank to protect the stretch of river due to be flooded.
Thank you for your support and understanding.
(ENTER NAME)
How else can I help #SavetheNile?
Like and share the ‘Save Adventure Tourism in Uganda’ Facebook page
Forward this message to anyone that can help raise awareness.
Please write to your World Bank representative TODAY about the Isimba Falls hydro power (dam) project – this is the most constructive way you can help.
You can also help by sharing this post and information – thank you!
Similar in size to Great Britain, Uganda’s unique geographical positioning in the Great Rift Valley makes the country home for an astonishing 50% of Africa’s birds. Diverse habitats such as open savannah, montane and Equatorial rainforests, rivers, marshlands, fresh water and crater lakes combine to give Uganda an enviable bird list of over 1,060 species!
Uganda boasts an incredible 34 Important Bird Areas (IBAs), sites of global conservation importance, not just for birds but for mammals, fish, reptiles and insects. 22 IBAs are within the national protected areas and all twelve of Uganda’s Ramsar sites (internationally protected wetlands) are IBAs.
If you like birds – like I do! – then you will just LOVE Uganda! I’ve met many people who had never really noticed birds until they came here – and returned to Europe ‘birding converts.’
Birdwatching Uganda. Identifying a Sunbird – not always easy, even when an expert has a bird guidebook!
Here are a few of my favourite birding moments:
A forest wakes up (AKA birdwatching my way through lockdown on the edge of Kibale Forest) is dedicated to the hornbills, turacos, barbets, starlings and monkeys I see from my wooden house on the edge of the forest.
Shoebill, Murchison Falls National Park Uganda. Photo Ronan Donovan
A day in the life … species by species. Uganda may not have the same change of seasons as Europe (but the insects don’t know that). I watch the seaons change in Uganda through the medium of entymology.
A bird’s eye view of Uganda – Big Birding Day Up before dawn to take part in the Big Birding Day, a 24 hour birding race covering 33 sites across Uganda. Our team recorded 606 species! And the best bit? Our team won!
For three years I was part of the volunteer team helping make Big Birding Day even BIGGER! To tie in with this event and the country’s 50 years of independence, Africa on the Blog published my article on how birding tourism can be used to help develop Uganda and support poor rural communities. Read “Birding@50” – Save Uganda’s Beautiful Crested Crane.
Dillon eyes up a spectacular Klaas’ Cuckoo, Kibale Forest bird ringing, Sunbird Hill
Incredibly rich in animal life, Kibale Forest is a place of many firsts for me. Even after three years working in conservation, Mother Nature had still been holding back on me: this particular Kibale Forest trip I saw my first wild chimp, my first Red Colobus Monkey, my first Green Mamba! But these were all unexpected bonuses – we’d actually traveled to Kibale Forest to ring birds.
Look up! Urban birding Kampala-style is the Muzungu’s view from Long Crested Towers – my home in Bukasa. Kampala is a dusty, polluted city of 2 million inhabitants. Yet, with over 300 bird species, the city is still a birder’s dream …
Populations of the 11 species of African vulture have declined considerably. In A disgusting day out I took part in NatureUganda’s annual vulture count – and a gory tour of the very smelly outdoor Busega fish factory and the formidable Kalerwe Abattoir, on the look-out for Hooded Vultures, Pied Crows, Brown Kites and Marabou Storks.
Hammerkop and large numbers of Marabou Storks overseeing the fish processing near Nateete, Kampala
Birdwatching Uganda. A birding muzungu at Sipi Falls, eastern Uganda
A birding Safari here in my backyard is one of my favourite birding walks, from Namuwongo in Kampala down to Port Bell on Lake Victoria. Baldrick was so tired, we had to drag him home! It was a great day for my growing bird list though so do check it out!
Roger and Nathan bird watching on Entebbe Peninsula. Big Birding Day 2010 – the year our team won!
I’m part of the volunteer team helping make Big Birding Day even Bigger!
These are just a few of my many Uganda birding stories.
Do you like birdwatching? If you’re planning a trip to Uganda, check out the tour operators in my Travel Directory or drop me a line for some personal recommendations.