Who were the Polish women who built a church in Uganda?
Discovering the unusual history behind the Polish Catholic Church at Nyabyeya near Masindi, western Uganda
Uganda consistently ranks highly as a country that cares for and welcomes refugees. This is not a new phenomenon, as a story from the 1940s reveals.

Visitors to Masindi are frequently amazed to learn that the area was once home to a community of Poles who built a church that remains popular with the community to this day. 45 minutes’ drive from Masindi, adjacent to Nyabyeya Forestry College, is Uganda’s only Polish church. If this is unusual, consider also the fact that it was built by refugees, mostly women, who fled Europe during the Second World War. The Polish Church at Nyabyeya is an anomaly, both architecturally and culturally but this unusual story has many positive elements, of sanctuary and childhood rediscovered.
Read their story and scroll down to view my photos of the church as it is today.
Why did Polish refugees come to Uganda?
In the early 1940s, more than 2,000 Polish women, children and elderly men arrived in western Uganda. They were some of over 18,000 Poles in 22 settlements in British colonies across Africa.

This group of Poles had been held in Siberian prisoner of war camps until 1941 when an amnesty allowed them to be freed. Polish men of fighting age joined General Anders’ army. With war raging across Europe, those who couldn’t join the army were offered shelter in one of Britain’s overseas territories. Over 110,000 people – the army and civilians – made their way from the Steppes of Russia to Iraq, Iran, Palestine and India. The Poles destined for Uganda were carried by boat to Mombasa and by rail across Kenya. Polish refugees arrived in Namasagali Port on the River Nile and were ferried onto Lake Kyoga by East African Harbors and Railways water transport up to Masindi Port. From here they boarded vehicles to their new homes (or settlements) near Masindi.
It’s hard to imagine what trials this community went through on their months and years of travel.

The book “From the Steppes to the Savannah” by Barbara Porajska recounts the story of their journey, mostly on foot, from the Russian Steppes and across the Indian Ocean to Mombasa and on to Masindi.
Who built the Polish Church near Masindi?
The Polish Catholic Church at Nyabyeya was built almost entirely by the women who had left their husbands and other male relatives in Europe, fighting in World War Two.
The church was built between 1943-1945, at the foot of Mount Wanda. Above the church entrance is the Polish coat of arms with the inscription Poloniae semper Fidelis. On the exterior is another inscription (in Polish, English, Latin and Kinyoro) saying: “This church is dedicated to the Blessed Virgin Mary, Queen of the Polish Crown, built by Polish exiles while wandering to the free Fatherland.” The (original) pews are hard carved, as is the towering figure of Jesus, carved from a single tree trunk. Above the altar hangs the icon of Our Lady of Częstochowa. On the church walls are the Stations of the Way of the Cross, with inscriptions in Polish. The church floor is made of hand-made hexagonal bricks. To visit the church, you will need to book in advance as the church receives few visitors and is often locked. (Scroll down for more details).
What was life like in the Polish settlements near Masindi?

“For children, Africa was a paradise” compared to the hell of Siberia from where they had come. According to the Association of Saint Michael the Archangel:
“The Poles travelled by ship from India to the port of Mombasa in Kenya. Later, they travelled inland to Lake Albert in Uganda, where “a piece of jungle was grubbed up for them, and clay houses covered with ivory grass were gradually built. The floor in the houses was made of clay, instead of windows – wooden shutters, and the light was an oil lamp. The furniture of the houses was also primitive – a bunk with a mosquito net, a table and two benches. Each house was divided into three rooms, for each family there was one room. They cooked in a wood-burning kitchen that was outside the house. There was also an ‘outhouse’ next to it.
The villages were built in the shape of a cross or in the shape of the letter H. In the middle was a well, and four sandy roads spread to the four sides of the world. There was a tap at the mouth of each one, from where people got water. They had lunch every day. Although the rations were not large, no-one was hungry. There were gardens around the houses; there was a lot of fruit around, and despite the ban, they hunted in the jungle for wild pigs from which they made sausages. Resourceful housewives supposedly even made ‘sauerkraut’ by shredding immature pineapples.” (Translation from the Polish by Google Translate).
“In Polish settlements, there were common, secondary, vocational and musical schools, and despite the problems with textbooks, some even seemed to graduate there. Because there were no teachers, the older high school graduates began to teach in public schools after completing the pedagogical course. The estate also had a hospital, two shops, a common room and a library, a bakery, a sewing room, a brickyard, a joiner’s workshop and a shoemaker. There was also a scout team, a theatre group, orchestra and choir. After suffering in Siberia, the Poles wanted the next place of exile to resemble a lost homeland. A part of the village was also an orphanage for children whose loved ones were tortured in Russia, did not manage to cope with the hardships of the road or enlisted in the army.”

Stanisław Lula, who arrived in Uganda when he was 16 years old, recalls: “Masindi estate is a large village built especially for the reception of Polish refugees … It was established in 1942 and consisted of 8 villages connected with each other. Our village was called ‘Monkey Grove’, because it bordered with bush, where there were a lot of different monkeys.”
The traditional king Omukama Sir Tito Gafabua Winyi IV of Bunyoro paid occasional visits to the camp.
The Polish Church served Poles living here until the closing of the camp in 1948. Many died of tropical diseases. Of the survivors, few made it to Poland. The Polish Church’s cemetery has 51 graves, 44 of which are Polish. An inscription – also in Polish – reads ‘Pray for the Poles who died 1939 – 1947.’
In 2010 the cemetery was renovated by students from the Pedagogical University of Kraków in Poland.
What happened to the Polish community in Uganda and the church after World War II?
World War II ended in 1945. In 1948, the British started to close down the camps. Of 18,000 Poles who reached East Africa from Siberia, only 3,000 returned to Poland. The others left for other countries.
The Polish Catholic Church at Nyabyeya remains a lively church. As the Forestry College 1 km away many of the Poles’ original houses still stand. Everyone is welcome to the Sunday services.
Visitors who are interested in learning about the Polish community’s impact may enjoy hearing that tin containers in local shops were referred to as Polands. If you wanted a portion of beans from the shop, you would ask for a ‘Poland of beans’ (rather than a cup of beans). These were named after the tins that the Polish had, presumably from the days of war rationing. I was interested to learn what this Polish community had left behind in terms of influence? These were not European colonisers. (How did they get on with local people?)
There was a second Polish settlement in Uganda, at Koja in eastern Uganda. This camp was bigger but razed to the ground after the Poles left. Masindi is therefore the main base in Uganda for Poles wishing to retrace their ancestors.
Why visit the Polish Church?
- Discover WWII history and its impact on East Africa
- A destination for Poles wishing to learn about their ancestors
- An active connection with Poland
- A place to admire Polish Catholic art and iconography
- An active church
How to find Masindi’s Polish Church
The church is 45 minutes’ drive from Masindi and just five minutes from the Royal Mile, Budongo Forest. It’s not signposted and the route takes you along winding dusty tracks (but you may just find it using Google Maps). My visit was organised by Sallie and Robert from New Court View Hotel in Masindi, where I stayed for five nights. They will make sure someone is there to open the church and give you a tour.
If you visit the Polish Church, do read the visitors’ book. Many comments are from descendants of the Poles who once lived here.
Further reading
- How East Africa became home for Polish exiles
- “Africa was the closest to Poland.” The rescued exiles from Siberia were sent to the Black Continent
- Photographs courtesy of Kresy-Siberia Foundation and blog post about Polish refugees in Uganda.
Do you enjoy East African history? Then you’ll love my story about the Uganda Railway and our epic train journey between Nairobi and Mombasa on the Lunatic Express. If you enjoy architecture, read History in your hand – a guide to exploring Kampala, Jinja, Entebbe and Fort Portal using maps and a mobile app.
History in your hand – exploring Kampala, Jinja & Entebbe with a mobile app
The launch of three free maps, a free mobile app and a book of photography gives unprecedented information about Uganda’s architectural heritage at 60+ sites across Kampala, Jinja and Entebbe.
This is your chance to explore – and help preserve – Kampala, Jinja and Entebbe’s 60+ historical buildings and sites – and it’s nearly all FREE!
One of the (few) things that I miss about Europe is the architecture. The continent’s rich history is preserved and celebrated through houses and office blocks, castles, and palaces. The collective history of these buildings can be traced back centuries.
My early career was spent working with architects in London and my mantra was always to ‘look up’ – to explore what was going on above street level, beyond the modern signage and the shop facades.
Uganda has some interesting old buildings but many are under threat from developers who would rather put up something new than re-purpose an existing structure. Although some buildings may look dilapidated now, there’s no reason why most can’t be given a face lift. In Europe, heritage is a big business.
I was therefore delighted when Verity from CCFU told me all about a brilliant initiative that aims at preserving what remains of Uganda’s unique built heritage. I have visited the Baha’i Temple and Jinja’s old buildings fascinate me; I often wonder at the history of the old buildings along Kampala Road. It’s now easier than ever for you to explore these and many more places yourself. If you work in tourism, how can you include these places on a tour?
Uganda’s Built Heritage – a free mobile phone app
The app features over 60 buildings that represent Uganda’s architectural history, covering the pre-colonial era and post-independence Uganda.
Uganda’s Built Heritage app brings Uganda’s history to life as you walk or drive down the street!


- See photos, descriptions and contact information for historical sites and buildings
- Read overviews of each town and city
- Plan walking or driving routes between historical sites
- Set up alerts to notify you when you pass historical places
- Share your discoveries with friends online
Click here to download Uganda’s Built Heritage app from Play Store (Android) or App Store (iPhone). The app is free
Maps – explore the historical sites of Kampala, Jinja, and Entebbe
Three high-quality maps have been produced to help tourists and members of the public understand and appreciate the history around us. The maps detail the historical buildings and sites for each of the three cities with a clear annotated street plan.

- A Map of Kampala’s Historical Buildings and Sites
- A Map of Jinja’s Historical Buildings and Sites
- A Map of Entebbe’s Historical Buildings and Sites
Click on the links above to download PDF versions of each map or visit the Cross-Cultural Foundation of Uganda
“Beyond the Reeds and Bricks – Historical Sites and Buildings in Kampala, Jinja and Entebbe” photographic book
“Beyond the Reeds and Bricks: Historical Sites and Buildings in Kampala, Jinja, and Entebbe” presents beautiful pictures that were taken exclusively for this project. The narrative sets the 60+ locations in their historical, social and political contexts and highlights why they still matter today.
This book bears witness to the richness of Uganda’s historical buildings and sites (some hidden, some prominent) surrounding us in Kampala, Jinja, and Entebbe. From the legacy of pre-colonial kingdoms to the introduction of western education, medicine, and religions, the growth of commerce and industry, through to Uganda’s forging a new independent identity, this book documents the country’s story through those historical buildings and sites that still stand today.

The book is available at Aristoc, Kardamom & Koffee (KAR Drive in Kololo), Entebbe airport departure lounge bookshop and from CCFU’s office on Makerere Hill. The book is priced at 150,000 UGX.
Background to this project
Urbanization, rapid population growth and the drive for modernity have created a constant demand for higher-density development (such as multi-story apartments). These are often on plots which are already occupied by historical buildings and sites. As a result, many heritage sites have already been lost forever. The risk of losing more of the county’s heritage is real and needs to be addressed as a matter of urgency.
Loss of historic sites means a lost connection with a shared past. Without the unique features of the built environment, one Ugandan city risks becoming indistinguishable from any other. Each building has a story to tell about the people who lived or worked there and about the history of Uganda.
This issue is recognized internationally through Sustainable Development Goal 11, reflecting a global realization that many urban cities are expanding fast and risk losing their historical and cultural identity if heritage infrastructure and associated cultural values are not preserved and promoted.
National and local government are strongly encouraged to “identify, list, protect and promote historical properties in their respective cities and to serve as examples of preservation champions to other municipalities.”

On African World Heritage Day 2019, the Cross-Cultural Foundation of Uganda (CCFU) with support from the European Union together with Ugandan partners launched a mobile app, three maps, and a photographic book. The aim of the project? To protect the posterity of historical buildings and sites in Kampala, Jinja, and Entebbe.
The three products illustrated here are the result of a year-long collaboration to mark the 2018 European Year of Cultural Heritage “which provided an ideal opportunity to share the European experience with like-minded Ugandan institutions.” The Embassy of Ireland is also acknowledged for its role in the early days of this project.
The Cross-Cultural Foundation of Uganda (CCFU) is a national not-for-profit NGO, dedicated to promoting the recognition of culture as vital for human development that responds to Uganda’s national identity and diversity. CCFU was founded in 2006, premised on the conviction that positive aspects of culture can be harnessed to bring about social and economic transformation. For more information visit the CCFU web site email ccfu@crossculturalfoundation.or.ug or call +256 (0)393 294 675 / 7.
If you enjoy history, you might like my pictures of Kampala railway station and Nairobi railway station.
Take time to explore these great resources from CCFU. Our children may thank us one day.
More ‘lunatic’ than ‘express’ – a train ride through history
Have you travelled on the Lunatic Express?
This is the muzungu’s personal account of the ‘Lunatic Express’ train journey from Nairobi to Mombasa, Kenya, an epic adventure bar none! Read all about East Africa’s railway history, Tsavo’s man-eating lions and the muzungu’s train survival tips.
- – No. of KM journey: 530
- – No. of Kenyan shillings for 2nd class ticket: 3,385 (USD 33)
- – No. of hours delay leaving Nairobi Railway Station: 10
- – No. of hours on train journey (forecast): 13
- – No. of hours on train journey (actual): 23
- – No. of degrees Celsius on the train: 40+
- – No. of beers consumed: not enough
- – No. of National Parks traversed for free: 2
- – No. of elephants seen on Tsavo safari: 3
The name should have been warning enough… yet, behind every travel nightmare is the makings of a good travel blog. (Oh, the situations the muzungu gets herself into in the search for a good story!)
We travelled in the light of the Full Moon or should I say: we travelled under the effects of the full moon. Lunacy indeed!
What made the Muzungu want to embark on this notorious train journey?
My ride on Kampala’s passenger train service made me want to discover more of East Africa’s rail network, and its history.

Daydreaming about my next train adventure gave me a reason to plan a trip to Kenya’s coast: the first leg from Kampala to Nairobi was by bus (although once upon a time, you could do the whole trip by train). I knew that one day passengers would again be able to cross East Africa by train but before that happened, I wanted to experience the original Lunatic Express train – so I could compare it with the new one. Of romance and railways is my follow-up story, written 2018, and compares the Lunatic Express, the bus and the Standard Gauge Railway! But first…
What is the Lunatic* Express?
Although the entire 660 mile (just over 1000 km) length of the Uganda Railway actually runs through Kenya – from Mombasa to Kisumu on the Kenyan shores of Lake Victoria – the railway derives its name from its final destination: Uganda. Sources states that the purpose of the railway was “to protect British colonial interests from the Germans.” The fact that the Uganda Railway opened up trade across Uganda and Kenya was simply a ‘by the way.’

Charles Miller came up with the term ‘Lunatic Express’ in his 1971 book The Lunatic Express: An Entertainment in Imperialism to describe the challenges – and calamities – of the Uganda Railway’s construction, notably:
- – 2,500 (of 32,000 workmen) died during construction, mostly from disease
- – 28 Indian “coolies” (‘workers’ to you and me) were killed by the man-eating lions of Tsavo
- – 135 African laborers were also killed by said Tsavo man-eaters. It’s interesting that 28 is generally the number of people recorded as killed by lions. However, according to Ugandans at Heart / ‘EKB’ Ekitibwa Kya Buganda “the Africans were considered not important enough for an accurate count or record to be kept.” The actual toll of all men killed by lions must therefore be 163+ /- [scroll down for more about those pesky pussy cats…]

- Very demanding terrain
- Lack of water / drought
- “Hostile natives” (hardly bloody surprising)
- Derailments and collisions
*A lunatic endeavour is something considered to be extremely foolish or eccentric. The word lunatic is derived from the Latin word luna, meaning moon. The Latin word lunaticus means “moon-struck” and a lunatic someone who is “affected with periodic insanity, dependent on the changes of the moon.”
How to book your tickets for the Lunatic Express
The start was very promising. The call to the booking office at Nairobi Railway Station confirmed that it would be cheaper for us to purchase tickets in Nairobi than to buy them in advance online. So far, so good …
Upon arrival at Nairobi Railway Station, the humourless security woman insisted I delete my photos of the front of the station. (Lord knows there must already be enough photos in circulation, what difference would mine make?)

The interior of Nairobi Railway Station is an exact replica of Kampala Railway Station, with all its original features in place. In Nairobi however, someone has tried to give the place a modern facelift, circling the century-old fittings with bright gaudy paint. Not a good look.
Generally, Nairobi Railway Station is in a shocking state of repair. (By contrast, the interiors and platforms of Kampala Railway Station remain in near perfect condition, having been closed to the public for 30 years).

We purchased our Lunatic Express tickets from the wonderfully helpful Evelyn and Elias. My friends opted for a two bunk first class compartment while I opted for second class. Our tickets cost 4,405 KES (approx 43 USD) first class and 3,385 KES (approx 33 USD) second class and included breakfast, lunch and dinner.
The train passes through 530 km (300 miles) of East Africa, from Kenya’s capital Nairobi to the Indian Ocean port of Mombasa. I was most looking forward to traversing Tsavo National Park (now split into East Tsavo and West Tsavo), most famous for the man-eating lions, as many unfortunates were to discover to their peril back in 1898.
The train was forecast to leave at 7 PM on Good Friday. As Evelyn took our booking, she asked for our phone numbers “for when (not if) there is a delay.” I didn’t think much about that; we just booked our tickets and went on our way.
The Lunatic Express: day of our departure
Keen to embark on my first train Safari, I decided to get to the railway station early – unusually for me: several hours early.
In the meantime, Evelyn called my friend Julia to advise of a delay. The train would not depart until 10 PM so we headed into town to kill time in a bar. Generous helpings of goat and ugali later, another phone call advised us: the Lunatic Express departure time was likely to be 11.30 pm or midnight. Needless to say, when we arrived at the station, there was no sign of the train. It had not arrived from Mombasa. A number of very annoyed bazungu tourists requested refunds.

Children were curled up asleep with their parents on hard wooden benches. In the sofa area – in total darkness, thanks to a power cut – a man at a tiny bar served people while holding a small torch. Inside the station was a retro lounge bar of a bygone era.
We were invited to board the train at 3 am. At 5 o’clock in the morning – 10 hours later than the advertised departure time – our train rumbled out of Nairobi Railway Station. The muzungu was curled up asleep in the top bunk of compartment B in coach 2326 by then.
I woke up on a moving train, crossing the savannah.
I had only slept four hours in two days but I was too excited to go back to sleep. What’s more, the compartment was quickly heating up (the weather in Nairobi had been roasting hot). I tried to pull down the window, but it refused to open more than a few inches.
A member of staff walked along the corridor outside my compartment and announced “breakfast will be ready soon.”
“Soon” turned out to be an hour or more later!
Our journey from Nairobi pushed us into a coastal heatwave. Rather than travel in the relative cool of the night, our late departure meant we traversed the 483 km in the heat of the day, our train absorbing every ray of the hot sun.
Kampala and Nairobi had been hotter than normal and I had been dreading the predicted heatwave at the Kenyan coast. However, after 23 hours in our mobile sauna, I felt thoroughly acclimatised!

“There really should be a swimming pool on the roof of the train,” Julia said.
“Don’t you think they should first switch on the ceiling fans, fix the air conditioning and make it possible for us to open the windows?!” I suggested.
Much like Nairobi Railway Station, the Lunatic Express train is in a state of total neglect. There were few locks on the toilet doors, none on compartments (except when inside) and just two power sockets per carriage.

Yet there were glimpses of the train’s former splendour. Although from the outside, the Lunatic Express is a non-descript modern train, the interior features wooden benches, some 1930s-style fittings, cup holders and other metal fittings engraved with Rft Valley Railway, faded old posters and the occasional piece of original silver tableware.
My favourite piece of tableware was the metal butter dish. I loved its air of faded opulence. Julia removed the lid to reveal a messy dollop of cheap Blue Band margarine. Humph!
Travel on the Lunatic Express is not a gourmet experience
These days, everything about the Lunatic Express is cheap (including the train tickets, if I’m honest). But like they say: “you get what you pay for” and our three meals were basic and not particularly appetising. Dinner was simply a second serving of lunch.

Cooked breakfast (eggs, sausages and baked beans) included cheap sliced white sugary bread (toasted one side only! To save time? To save money?) The weak-tasting coffee was of the instant variety (in Kenya? In one of the world’s major coffee producing countries?) But ignore that: I loved the way the waiters expertly poured our hot beverages from beautiful old tea and coffeepots, while the train rumbled along.

From the train windows, we watched the landscape change as we passed through open countryside, mile after mile, kilometre after kilometre.

We saw the occasional human: a young girl collecting firewood, a man tending a flock of goats and cows.
As we rattled through one of the numerous derelict railway stations and outposts, I observed a woman and baby watching us. People approached our slowly-moving train. A handful of children shouted at us for money.
A safari through Tsavo – and no park fees to pay!
A real draw for me was the chance to experience a train safari – and I was not disappointed.
Tsavo is Kenya’s largest national park and covers nearly 22,000 sq km. It is one of the world’s largest. The construction of the railway split the park into two: Tsavo East National Park and Tsavo West National Park.

Crossing Tsavo, beyond a new viaduct, everyone moved to one side of the train carriage to watch elephants. I also spotted baboons and Thomson’s Gazelles.

We moved too quickly to identify many birds but I couldn’t miss a vibrant Lilac-breasted Roller, and larger bird species like Marabou Storks, and a Chanting Grey Goshawk perched on the roof of a derelict railway building next to the track.
Two children shouted that they had “seen a lion lying in the grass.” Their mother and I exchanged looks of doubt and held back our sniggers.
The story of Tsavo’s man-eating lions is gripping! Keep reading…
How apt. By the light of the Full Moon, the Lunatic Express arrived in Mombasa.
As we sensed our journey coming to an end, Julia and I got a new lease of life. (Or was that the half bottle of vodka in my bag?) We bounced along the train corridor, to and from the buffet car, gently thrown left and right; it was like being on a ship.
I had lost my concept of time… one staff member said we were an hour from Mombasa; another estimated two and a half hours. Everyone – staff included – moped around listlessly in the heat. Few people had phone battery left (for much of the journey there was no phone network anyway).
The shadows of palm tress silhouetted against the moonlit sky waved us “karibu” – WELCOME into the Indian Ocean port of Mombasa.
The marathon endurance trip was finally behind us.

Several very sweaty hours and a few cold beers later, the Lunatic Express arrived at the coast. The advertised 13 hour journey was actually a 43 hour adventure from start to finish.
How to ride a tuk tuk
Thanks to the brilliant Jane Spilsbury at the Watamu Marine Association, we had a booking at Regency Park Hotel. We had a rough idea of how much to pay for a taxi from Mombasa station, thanks to RVR train staff member George, who organized our taxi. We’d bonded with our Norwegian train companions by this stage and shared the phone number of our hotel.
“Do you want to share a taxi with us?” I suggested.
“I’m not sure there will be enough room, will there?” One asked. We were five people with five sets of luggage.
“Let’s see,” I said, “we can try.”
Our lumbering great taxi driver was there on the platform to meet us. We walked towards his taxi … a tuk tuk!
We all laughed out loud. “I think we need another vehicle!” Someone said.
The giant taxi driver proceeded to pack all our bags and all five of us into his miniscule motor. How would our tall friend fit in? He shared the driver’s seat with him – one bum cheek each!
There may have been no red carpet at Mombasa, no fanfare of trumpets, yet we arrived at our hotel in style.
Parting thoughts
No-one can board the Lunatic Express train without seeing its potential and bemoaning the very poor facilities. Back in the day, this would have been a state-of-the-art train experience. All the facilities are there, including air conditioning and announcement system. There are also locks on toilet doors. (Sadly few of these work anymore). Few of the train windows open, even if the muzungu asks a strong man to assist her, and many of the window mosquito nets are torn.

Beyond that, we found the train to be clean enough (even if the bedding was patched in places). The staff were helpful, although there were no explanations for the train’s late arrival in Nairobi, late departure and even later arrival in Mombasa! At certain points our train was stuck moving behind a slow goods train. On other occasions, our train had to pull into sidings to let a goods train pass on the single track.
This train journey really could be a spectacular experience. Let’s hope it will be again when the new Standard Gauge Railway is complete and the rolling stock is upgraded.

For much of the length of the trip, we rolled parallel to the new railway line. Many sections appear to be complete; in other areas, it’s still a construction site.
At the time of writing (2016), the Standard Gauge Railway (SGR) network was set to expand to Uganda, South Sudan and Rwanda. In Uganda, it will comprise of three major routes with a total route length of 1,614km. The SGR will stretch to the DRC border.
End of the line for ‘Lunatic Express?’ Kenya begins multi-billion dollar railway.
How to survive the Lunatic Express! An essential packing list
- – A flexible itinerary
- – African concept of time!
- – GSOH good sense of humour 🙂
- – Toilet paper
- – Soap
- – Hand gel / wipes
- – Mosquito repellent
- – Earplugs
- – Playing cards or other non-electronic amusements – power sockets are hard to find
- – Rechargers / Smartphone power packs
- – A map of East Africa so you can trace your route
- – Snacks
- – Cold beers, sodas and water are available and not expensive.
- – An ice box
- – Strong liquor!
- – Cigarettes? Smokers opened a side door and sat on the steps as we moved slowly along
- – A fan
- – Kichoi (or sarong), flip-flops / sandals, shorts and T-shirts / vests.
- – A mirror! I did not see / use / even thinking of using a mirror on the train (as the photos probably tell!)
- – Contacts for a hotel in Mombasa “for when there is a delay.”
More survival tips for travelling the Lunatic Express
- – The Glory Hotel in Mombasa was recommended to us, but full, so we stayed at Regency Park Hotel. The staff were helpful and the breakfast was generous. Choose from rooms with fans or air conditioning). Pay 300 – 500 KES for a cab/tuk tuk from Mombasa Railway Station.
- – You may think you’re going to save one day by travelling overnight but if the train delays, you are likely to miss that important meeting, flight or even wedding! And if you don’t sleep very well, you will lose a day catching up on sleep as well. I’d say: only take the Lunatic Express train from Nairobi to Mombasa when you have two or three days to spare.
- – Although second class accommodation means four people share a compartment, it is bigger than the first class two-person compartment – and thus allows more air to circulate. Incredibly important if you’re travelling during a heatwave!
- – I later realized only a few passengers got off the train at Mombasa. They must have decided to sleep there until they were chucked off the train (and save renting a hotel room like we did).
- – Shower in the sink – cos there ain’t nothing else!
- – Get to know your travel companions right away. You will surely end up interacting at some point on the journey, so leave behind your sensibilities and connect with them early on. Remember: what happens on the train stays on the train! 😉
Despite the lack of communication, zero explanation and no apology for the delays, we thoroughly enjoyed our adventure on the Lunatic Express train to Mombasa. We maintained our sense of humour throughout!
Thanks to the ever smiling George. He received every complaint with a big smile and ran up and down the train all day and night trying to keep everyone happy.
Are you interested in the history of East Africa’s railways?
Nairobi is the biggest city in East Africa. It is immense.
It’s incredible to believe that Nairobi sprang up around the railway, just a little over 100 years ago. From my account of today’s rundown Lunatic Express service, you might dismiss the railways in East Africa – but history tells a very different story.
If you are interested in history, I highly recommend these articles:
Following the line of Kenya’s development is as easy as following the development of railway lines through the country.
Why did so many railway workers get killed by lions?
“The Man-Eaters of Tsavo and other East African Adventures” recalls the nine month period of terror during 1898 when over 100 men were killed by two man-eating lions. This book made British engineer Lieutenant Colonel J. H. Patterson, D.S.O. a celebrity.

“Night after night, workers disappeared in ones and twos…” and an American hunter was called in…
Arriving in the continent he has dreamed of forever, Patterson meets his project. There are problems with it: competing French and German rivals, ethnic hatred among the crews and, on Patterson’s first day there, a worker is attacked by a lion. He goes to “sort it out” by shooting the beast with one shot; gaining the admiration of his crews, lifting spirits, adding motivation to complete the bridge, and unleashing a nightmare.
Only weeks after the shooting the camp is suddenly besieged by a pair of giant man-eating lions. Their first “kill” is Mahina (Henry Cele), considered the strongest man in the camp. This serves to unnerve every man on the project, including Indian rabble-rouser Abdullah, who doesn’t like Patterson from the start. Nerves jangle and fray as the lions repeatedly and relentlessly attack and attack and attack! They strike under the cover of night AND during the heat of day; They kill not for hunger, not for sport, but simply because they like it. Men are dragged from their beds and mauled to death in the tall grasses; the hospital becomes a blood-bathe; Laborers aren’t safe as the beasts leap out and snatch them from their work. Everything is falling apart and Patterson is at his wit’s end as Beaumont arrives to make matters worse. And still the lions attack and attack and attack.
Enter Big Game Hunter Charles Remington who is as determined to destroy the lions as the lions seem determined to eat every man in camp.
From a review of The Ghost and the Darkness, a 1996 Oscar-winning film, staring Val Kilmer and Michael Douglas.

Have you traveled on the ‘Lunatic Express’ train from Nairobi to Mombasa?
Writing about these journeys prompts other people to share their experiences.
“I took the train in 1982 when I was a student. I travelled down to the coast with my fishing rods. I didn’t get a (sleeping) compartment. I threw my fishing rods in the overhead bag rack, climbed up and slept there for the whole journey, from Nairobi to Mombasa.”
Richard ‘Bug’ from Watamu
That’s an uncomfortable way to spend 12+ hours, believe me!
Once upon a time, the train ran all the way from Kampala through Nairobi on to Mombasa.
Nairobi was very different in those days. Even before the train reached Nairobi airport, you were in the bush. There were first-class compartments and a first-class dining car.
Back in the day, the train drivers were all Sikhs.
Mike from Kampala (It all sounded pretty fabulous!)
What are your train travel tips? And what are your memories of the Lunatic Express during its heyday?
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On the right track: my first Ugandan train ride
Rift Valley Railways relaunches Kampala passenger train service after 20 year break
UPDATE 2021: are you looking for information about the Kampala commuter train? Then scroll down. This blog is all about my experience when the train relaunched in 2015. The latest timetables are further down this post.

Another first this week: my first Ugandan train journey on the Rift Valley Railways Kampala train! My first African train journey, in fact!
I was very excited to hear that Rift Valley Railways, Uganda Railways Corporation (URC) and KCCA (Kampala City Council Authority) relaunched the Kampala passenger train service this week. We frequently hear the rumble of the train in the distance, but the service is confined to shunting freight from the dock at Port Bell on Lake Victoria up to Kampala’s industrial area. The train goes backwards and forwards across this short section of track a few times a week, delivering containers of imported goods via Mombasa and ‘outside countries’ beyond East Africa. The relaunch of the Rift Valley Railways Kampala train service for passenger travel marks a new beginning for the railway in Uganda. I couldn’t wait to experience it for myself.

And so 7 o’clock Tuesday morning – day 2 of the train service – I jumped on a boda boda and headed down to Kampala Railway Station, a neat colonial-type construction below Kampala Road.
Awesome Aussie journo and friend Amy Fallon was on the station platform, taking photos and looking for passengers to interview. 100 passengers had taken the 6.30 am train from Namanve to Kampala that morning but on our train (7.30 am Kampala to Namanve, heading out of the city) there were just two Bazungu writers / bloggers and a group of Uganda Railways Corporation staff. I guess we were traveling against the commuter tide, so to speak…

The staff were happy to see us and explained that each of the five carriages can take up to 200 passengers and that they expect 50% capacity by the end of this week. (Not sure whether they achieved it? But I can imagine the Rift Valley Railways Kampala train service will quickly become popular). The train staff helped us get on the train (it’s a steep climb up some vertical metal steps), and told us not to lean out of the window, for fear of hitting an overhanging branch (or something!) Either way, catching the train has to be safer than getting a boda boda or matatu taxi. The train trundled along quite slowly.
I love trains, I always have, I can’t help but get excited when I hear the whistle and the train slowly leaves the station.
Rift Valley Railways train pulling out of Kampala Railway Station – day 2 of the new passenger service from @CharlieBeau Diary of a Muzungu.
Rift Valley Railways train Kampala from @CharlieBeau Diary of a Muzungu.
Living next to the railway was a big part of the enjoyment of living in Namuwongo. As the train advanced down the track, the train would let out a long whistle, scattering folk who were selling their wares along the track! The ground would shudder as the passed just two metres from our compound wall.
“I saw the face of the train!” Our housegirl Eva shouted excitedly one day. (I guess that means it nearly ran her over!) The train had approached her front (face) on.
I was lucky enough to get the inside view of Kampala railway station last year, when it was open to the public (briefly) for the first time since 1984, thanks to some lobbying by Umeme and KCCA.
This was for the launch of the KLA ART Festival, boda boda recycled art display and gallery show. I miss European architecture, so it was a treat to access this building. Kampala Railway Station really is a treasure of a building, and I hope the original features continue to be maintained (and preserved) to the same standard. All credit to Rift Valley Railways for not letting this building fall apart through neglect, as so easily can happen. It’s an interesting snapshot of another era.



Our live updates from the Rift Valley Railways Kampala train went down a storm on social media; everyone seemed to have lots of questions about the train price, journey times, number of stops, age of the train, nationality of the train driver! Of course some people expect something for nothing, and one man was shocked at the ‘high price of’ the 1,500 UGX (Uganda shillings) for a ticket. Frankly that’s a total bargain if you can avoid sitting in a traffic jam… Amy and I asked around and it’s pretty impossible to get into central Kampala for less than that by any other means. (1500 UGX is around 50 US cents at the time of writing this in 2015).

For our virgin Ugandan train ride, Amy brought a bottle of champagne. “Orient Express” – eat your heart out! Our excitement, the great photo opportunities and waving at passers-by, meant our journey quickly passed before we even had time to think about breakfast or Champers…!

It shows how long it is since the train service ran: one Diary of a Muzungu Facebook fan, keen to try the service for himself, asked me where the station is. “Er…. in Station Road!” I replied. (The guy is probably in his 20s. The station has rarely been open to passengers during his lifetime, so how would he know anything about the railway station?) Apparently the passenger train last ran 20 years ago.
Older Kampala residents passed on illuminating comments about the railway’s history. Vali told me how he used to catch the train to boarding school in Nairobi from Kampala railway station, back in the day. Eric told me that he used to go to school along Old Port Bell Road. “The train was always punctual. When it departed Kampala railway station, it let out a whistle. We always knew that the whistle signalled school break time!” You may imagine yourself back in Kampala of the 1950s if you visit Malcolm McCrow’s East African railway photos and anecdotes.
CHOO-CHOO! Train coming through!
I’m sure the passenger train service will be a big hit with a lot of people, although capacity of 4,000 UGX is not a lot. Several of my Facebook Fans plan to take the trip, and I highly recommend it, simply to see another side of Kampala. Have you ever seen the workings of one of Kampala’s abattoirs? It’s a different world out there!

UPDATE 2021: The Kampala commuter train service is now run by Uganda Railways Corporation. The passenger train takes four trips every weekday between Namanve and central Kampala. The 45-minute journey stops at Nakawa (MUBS), Spedag (zone 4), Kireka, Namboole and Namanve. The first train of the day leaves Namanve at 7 am. It arrives at Kampala main station at 7.45 am. In the evening, trains depart from Kampala main station at 5.30 pm and 7.50 pm. I could not see pricing information on the URC website but I don’t think it has changed significantly from the 1,500 UGX (one way) price we paid in 2015.
So what’s next for the railways in Uganda and East Africa?
The Rift Valley Railways Kampala train passenger service from Kampala to Namanve was a one-year pilot project. UPDATE 2021: The service is a success and is still running.
More interestingly, work has started on the development of the Standard Gauge Railway across East Africa. This article looks at the differences between the original railway line and the planned new one. Substantial investment is being made into Uganda’s infrastructure, from the Kenyan border to the border with Rwanda; up to South Sudan in the north and down south to Tanzania. The rationale for the project is to make it quicker and cheaper to move goods from Mombasa inland through the East African community. Apparently, rail will quarter the costs of transport, half the time it takes to move the goods, and make the roads safer for the rest of us. Many of Uganda’s roads have been developed over the last few years but the daily transit of thundering heavy goods vehicles quickly destroys them again.
Uganda Railways Corporation is also rehabilitating railway track between Kampala and Port Bell, and Tororo and Gulu.
On a personal level, the Muzungu’s next African train journey simply had to be the Nairobi to Mombasa overnight train with complimentary safari en route through Tsavo National Park. The history of the East African railway and the so-called ‘Lunatic Express’ is captivating (yet terrible in parts).

My short journey from Kampala railway station started my research into the history of East Africa’s development. I confess, I have become a total train geek! It’s incredible to think that Nairobi and modern Kenya all started through the development of the railway. The whole Lunatic Express journey was fascinating from start to finish: the old-fashioned train compartments, the impromptu safari, the history of East Africa, and so much more. The Nairobi to Mombasa train is notorious for breaking down in the middle of nowhere… (but then the Muzungu was marooned in the middle of Lake Victoria on the ill-fated MV Templar for a whole night this week…) so anything is possible when she travels! In fact you may recall this cross-border travel misadventure.
Have you travelled by train in East Africa? Share your experiences here (and don’t forget to sign up for Diary of a Muzungu’s free newsletter!)
Karibu! – welcome to East Africa – Pope Francis
Karibu! – and welcome to East Africa! – Pope Francis
The Pope has landed in East Africa!
UPDATE: this blog was written when the Pope touched down in East Africa – scroll down to the bottom to see how close we got to him…
Today Pope Francis is in Kenya, and tomorrow Friday 27th November, Uganda will welcome Pope Francis, here to celebrate 50 years of the canonization of the Uganda Martyrs, a group of young Catholic, Protestant and – now it is believed – Muslim men who were killed in 1886.

Pope in Uganda. A few facts that make Pope Francis a man worth listening to:
- Pope Francis is the first Pope to be born outside Europe since Pope Gregory, a Syrian, who was appointed in 731.
- He is a man of simple tastes who shuns limousines for regular saloon cars
- When asked about the status of gay people in the clergy, his response has been a tolerant “If someone is gay and he searches for the Lord and he has his good will, who am I to judge?”
- Apparently Pope Francis doesn’t like going to the historical papal home of Rome as it represents “the heart of everything he believed the Church should not be: luxury, ostentation, hypocrisy, bureaucracy.”
I look forward to hearing what Pope Francis has to say to Ugandans.
This lapsed Catholic never quite made it to First Communion but I have huge respect for a man who seems so dignified, pragmatic and approachable. Not only does he tolerate simplicity, he seeks it out. I wish those vulgar and ostentatious American preachers that are broadcast on Ugandan TV every Sunday could have one tenth of Pope Francis’ humility.

On his two day stay in Uganda, his programme will include a two-hour mass at Namugongo, scene of the killing of the Martyrs.
Here is a copy of the full programme for the Pope in Uganda visit and the official press release about the Pope’s Uganda visit.
On June 3 1886, the day many Christians were burnt to death at Namuwongo, Father Simeon Lourdel, Missionary of Africa wrote this letter . “Some twenty of our best and most influential young men who are learning the Catechism have just been either burnt at the stake or slaughtered and their bodies cut into pieces on the grounds that they deserve death for following the religion of our Lord Jesus Christ. Others have been odiously mutilated or savagely beaten with sticks. A certain number of them are still in prison and are everyday subjected to refined tortures by cruel executioners who have a gift for inventing new torments.”
Opinions vary as to exactly why these young men were ordered to be killed. It seems their crime was having the strength to stand up for themselves, bolstered by their new-found religious beliefs. Christianity represented a threat to the prevailing system: it forbade polygamist marriage, it promoted better treatment of women and slaves. Christian worship forbade the veneration of the lubaale (spirits of the ancestors). All of these factors and more were perceived as an affront to the authority of the Kabaka (King of Buganda Kingdom) and the ruling class. Furthermore, some believed the Christian missionaries were the forerunners of people intent upon ‘eating their country.’
The fact is, these young men (some just teenagers) endured horrific torture, dismemberment, flogging and unspeakable brutality before finally being burnt alive.
If the story of the Uganda Martyrs interests you, read my blog ‘All roads to Namugongo,’ about the inaugural Uganda Martyrs Walk. In this blog, you can also read more from the brilliant and captivating book about the White Fathers (missionaries from France). Told in a series of letters, it brings to life – in the most terrifying way – the build-up to the Martyrs’ persecution and demise.
If you’d would like to see a copy of the Uganda Martyrs DVD documentary that I helped put together for the Uganda Tourism Board, please contact the Muzungu.
The 22 Ugandans who were burnt to death at Namugongo were canonised by Pope Paul VI on October 18, 1964. It is now believed that the total number killed may have been much higher, in fact: 97 Muslim, 24 Catholic and 25 Anglican Martyrs.
Although the Pope does not arrive in Uganda until tomorrow, the souvenir DVD of his visit is already out! “Big ups” to the entrepreneurs of Luwum Street in downtown Kampala! (With thanks to ‘eyes peeled’ journalist Timothy Bukumunhe for this one).

Did you know…? Pope Francis is the third Pope to visit Uganda
According to the web site of Uganda Martyrs Shrine, Namugongo “Pope Paul VI visited Uganda on 31st July, 1969, the very first Papal visit to the African Continent as a whole” and “His Holiness Pope John Paul II visited Uganda in 1993.” Below are some wonderful black and white photos of the first Papal visit to Africa in 1969, courtesy of the Uganda High Commission in Malaysia.
The reconstruction and development of Namugongo Martyrs Shrine and Basilica runs into billions of Uganda shillings. These improvements are well overdue, not only for the visit of the Pope, but for the estimated one million worshippers who visit Namugongo to commemorate the Martyrs every June. The Uganda Tourism Board is now actively promoting religious tourism. The reconstruction of the pavilion; the excavation of the pond (from which believers have been taking ‘holy water’ – and a few germs, surely!); landscaping and construction of several dozen toilets, are a good investment for future visitors. Couples will even be able to get married in the new and improved setting.

The Anglican Uganda Martyrs Shrine at Namugongo has also been rebuilt. This is the shrine that features the model of the Martyrs being burned alive.
Munyonyo, on the edge of Lake Victoria, is said to be where the terrible events all started. After many months (years?) of antagonism, history says that the final death knell for the Martyrs was when Kabaka Mwanga lost his favourite gun in the lake after an unsuccessful hippo hunting trip. When he returned to court, furious, no-one was there to greet him. Rather, they were elsewhere, praying to their new God. This was the final affront to the Kabaka’s patience – or so the story goes… A new Martyrs Shrine at Munyonyo has just been completed, ahead of Pope Francis’ visit.
We have yet to understand what Pope Francis’ legacy will be to Uganda and East Africa. Beyond the feelgood factor, tomorrow’s day off school, the souvenirs and the new tourism infrastructure, how will Uganda be perceived externally after his visit? How will the countries’ different religions interact with each other? How will the poor of this country be motivated or consoled? The Muzungu awaits with interest…
So did the Muzungu get to see Pope Francis?
Not one to miss an opportunity, I can share the scintillating news that I saw the Pope’s arm waving at us as his motorcade zipped past us.
Somehow my friend Hope missed seeing him first time he drive past (where were you looking girl!) so we decided to hang about for an hour – buying papal souvenirs – waiting for him to drive back the other way.


I’d never thought myself the kind of girl to have a picture of any religious leader on my wall, but I like this guy Pope Francis.
How do you think Pope Francis’ visit will affect Ugandans and all East Africans? What are your thoughts about his trip?
Mandela and Me. A homage to Nelson Mandela
Mandela and Me. A homage to Nelson Mandela
This time last year, I was too sick with Malaria to pay homage to Nelson Mandela.
Crying over his obituaries made me feel even more sorry for myself – but I owe Mandela so much.
South Africa politicised me. It was the Anti-Apartheid Movement of the 1980s that made me decide to study politics at SOAS (the School of Oriental and African Studies) at the University of London. That made real my desire to come and live in Africa, a dream it took me too many years to fulfil.

Mandela was freed while I was a student at SOAS. We couldn’t wait to celebrate his freedom: just a few weeks after his release, the Awesome Man Himself appeared onstage at the now defunct Wembley Stadium – to thank the world for helping secure his release, and telling us to continue exerting pressure for the end of Apartheid.
‘Free… Nelson… Mandela!’ We sang for the thousandth time … and there Mandela was, in the flesh.
How British pop song helped free Nelson Mandela.
Top Ten Songs About Nelson Mandela
It was around this time that I made my first enquiry to VSO (Voluntary Service Overseas). “Call us again in a few years,” they said – I had little work (or life) experience – and I shelved my plans to volunteer in Africa.
My then-flatmate Holly was to move to South Africa with VSO before me – and is still there 15 years later. Visits to South Africa ‘close the circle’ for me: stays with Holly in Johannesburg give us a chance to relive our shared memories of Mandela’s release and our experiences as VSO volunteers in sub Saharan Africa. Spending World Aids Day in South Africa with her was another pivotal moment.
My pilgrimage to Mandela’s Robben Island cell was a longed-for moment.
Nelson Mandela spent nearly two decades on the other side of this metal gaol gate. Isn’t it uncanny how the outline of the African continent has emerged as the paint has chipped away? How many thousands of times did the key turn in that lock? The Robben Island tour (courtesy of previous Robben Island inmates who were incarcerated at the same time as Mandela and other heroes of the movement such as Steve Biko) is humbling beyond words.
Rereading Mandela’s obituaries, a few facts jumped out at me:
– He left power voluntarily, when his presidential term was up. He played by the rules, unlike so many African rulers who want to stay in power forever.
– Mandela stayed on the United States ‘terror watch list’ until 2008 “in time for the anti-apartheid leader and Nobel Peace Prize winner’s 90th birthday on July 18. Really? It just beggars belief now.
– Mandela visited Uganda on July 5, 1990, just five months after his release from prison. Mandela chose Uganda as the first African country outside South Africa to visit.
From student days drinking Snakebite in the ‘Nelson Mandela bar’ to SOAS, Johannesburg, Cape Town and Uganda, Mandela remains an inspiration to me:
On writing, he wrote to one of his daughters:
“Writing is a prestigious profession which puts one right into the centre of the world and, to remain on top, one has to work really hard, the aim being a good and original theme, simplicity in expression and the use of the irreplaceable word.”
Who can possibly count the millions – billions? – of people’s lives affected by this great man. RIP Madiba, the world remains a better place for you having been in it.
What effect did Nelson Mandela have on your life?
Free Nelson Mandela
21 years in captivity,
Shoes too small to fit his feet,
His body abused but his mind is still free,
Are you so blind that you cannot see?
I said: Free Nelson Mandela,
I’m begging you,
Free Nelson Mandela.
On the first anniversary of his death, feel free to share your thoughts.
All roads lead to Namugongo
Commemorating the Uganda Martyrs. How did the muzungu end up in Namugongo?
It always makes me laugh: the unexpected things I end up getting involved in Uganda, so I shouldn’t have been surprised when John Ssempebwa, the Deputy Executive Director of Uganda Tourism Board sent the Muzungu a message asking if I would help him do the voice-over for a promotional DVD… all about the Namugongo Martyrs.
How the Muzungu came across on film, I’ve yet to see! – but nonetheless the filming was the perfect opportunity for me to learn all about the Martyrs, one of my “blogging resolutions” in fact.
My pre-filming homework was to read Father Simeon Lourdel, Missionary of Africa, White Father, Apostle of Uganda 1853 to 1890. Despite its incredibly dull-sounding name, this account had me hooked from start to finish. Catholic missionaries aren’t normally my cup of tea frankly, but the six month journey on foot from the Indian Ocean coast, traversing Tanzania and fighting off wild animals (lions!), sickness and numerous antagonistic tribes to the south of Lake Victoria had me captivated.

The diary of a French missionary, writing in the 1870s, recalls:
“It was no joke to foresee all that would be necessary for 10 missionaries for a journey of six months across unknown land, all the food, the tools and equipment for putting up permanent settlements in an empty continent. The big headache was to go gather enough of the items to use for the bartering with the African tribes, for free and safe passage through the territories: bales and bales of calico material, boxes and boxes of glass beads, reels and reels of brass wire. The two (Catholic) fathers had also to recruit 300 porters and an escort of soldiers. They had two interpreters who spoke Kiswahili and managed to speak broken French to make sure that their orders were properly understood, and for bartering with the African chiefs on the way.”

The traverse of Lake Victoria – the world’s second largest freshwater lake – in a dugout canoe must have been one hell of a journey for these weary and sick travellers. As well as recounting the subsequent tales of many of the Namugongo Martyrs, the book gives a wonderful insight into the Buganda Kingdom, describing:
“A huge palace with hundreds of courtyards, a countless number of huts and thousands of servants living in and milling around. Great dignitaries of the kingdom were the only people allowed to approach the Kabaka (King). Also admitted to the courthouse visitors were dignitaries who came from neighbouring tribes, as long as they brought presents carried by slaves.”
About the Uganda Martyrs Walk
And so, one Sunday in Kampala, I joined the Uganda Tourism Board in the inaugural 10 km “UGANDA MARTYRS WALK.” Along the route of this unique walk, professional tourist guides explained the history of numerous Namugongo Martyrs, including: Mathias Mulumba, Jean Marie Muzeeyi, Mapeera and the three Martyrs killed at Busega. These names meant nothing to me before; now I notice them every day, as I pass the churches and schools named in their honour.
I am seeing Kampala in a new light.
WHERE is the Uganda Martyrs Walk?
The walk starts at Old Kampala Secondary School and finishes at Busega Martyrs’ Church, Mityana Road.
WHEN is the Uganda Martyrs Walk?
First Sunday in June, from 9 am.
WHY is the Uganda Martyrs Walk?
This is the launch of what promises to be a big, popular annual event with people coming from all over the world. Proceeds from the Martyrs Walk will go to Uganda Heart Institute, Mulago Hospital, Kampala, to undertake life-saving cardiac operations on children and babies born with Congenital Heart Disease.
Millions of Christian pilgrims flock to Namugongo, Greater Kampala, every June. Photo courtesy of Red Pepper
In addition to the professional tour and the chance to learn more about the Namugongo Martyrs, walkers will have access to free medical check-ups.
SSENTE MEKA? How much is the Uganda Martyrs Walk?
10,000 UGX for the walk; 20,000 UGX for the special souvenir T-shirt.
HOW DO I REGISTER for the Uganda Martyrs Walk?
Registration for the walk is going on at the main Kampala Post Office and at the National Theatre. Pilgrims can also register by sending 10,000 UGX to Mobile Money tel +256 704 731 215 and +256 773 831 825. [Note these are the contacts for 2014; in subsequent years, these may change].
Uganda Martyrs Day is celebrated 3rd June every year. On this day, more than a million people congregate at Namugongo.
No-one can help but be moved by the Martyrs’ incredible stories. I’m not a religious person but I was blind-sided by these individuals’ belief, determination and the ultimate sacrifice.

For me, this event celebrates human survival and endurance. Every Martyr’s story is inspiring. The reality of their unbearable agonies defies belief.
Join the pilgrims travelling to Kampala on this special occasion.
For more information about the Uganda Martyrs Walk, contact the Uganda Tourism Board. The DVD story of the Namugongo Martyrs is also available from Uganda Tourism Board – [reminder to self: upload it to YouTube!]
As I write, pilgrims are walking to Namugongo, a few kilometres from central Kampala, from across Uganda and East Africa.
We hope to see you there!
My kind of club?
Launch of the Uganda Chapter of the Explorers Club
The Explorers Club’s East African connections

Dian Fossey studied the Mountain Gorillas of Rwanda. Tragically, she was murdered, probably by one of the poachers she fought in her protection of the gorillas. Photo source unknown.

Dr Jane Goodall D.B.E. is most famous for her ground-breaking studies of the chimpanzees of Tanzania. Dr Goodall is now a UN Messenger of Peace

The famous firsts of Explorers Club members
- First person to the North Pole.
- First person to the South Pole.
- First person to the summit of Mount Everest.
- First person to the deepest point in the ocean.
- First person to the surface of the moon.
But as the American comedian and actor Groucho Marx once said:
“I don’t want to belong to any club that would accept me as one of its members”
Diary of a Muzungu interview with the Explorers Club
What is in it for Ugandans? And what’s in it for the Muzungu?
Is there anything left to discover?
What made the Explorers Club decide to come to Uganda?
“We believe that the Ugandan chapter of the Explorers Club will help develop a new attitude to exploration.”
Alan was quick to dispel any of the ‘old school’ associations of Western colonial types ‘discovering Africa.’
What is in it for Ugandans?
“It would be really interesting if one of your students travelled to America, just like previous explorers, anthropologists and so on, travelled to remote villages in Africa to study your village life. I would like to hear what a Ugandan scholar would have to say about the town I live in in California. That is the switch. The idea is that we see the Uganda Chapter as showing the way – along with Bhutan, Morocco and other once so-called ‘undeveloped’ countries – to help us develop a new attitude and new findings within exploration.We are looking at world centred exploration, not western centred exploration.”
Later the Muzungu had a chance to interview Alan and ask him about his travels around Uganda and his own explorations.
Have you been to Uganda before?
Was the gorilla trekking what you expected?
What inspires you to travel?
Which item can’t you travel without?
The Muzungu would love to be an Explorer and take part in some of the Club’s expeditions. Do you have any tips for me?
So dear reader, where in the universe would you like to EXPLORE?
What and where shall we explore in Uganda? I’d love to know your ideas!
Interview with a rebel: Ugandan cultural activist Stephen Rwangyezi
Interview with a rebel: Ugandan cultural activist Stephen Rwangyezi
Stephen Rwangyezi is a fantastic storyteller with a compelling stage presence. What is more, he is a living, breathing – dancing! – Encyclopaedia of Ugandan culture.
In Uganda, Stephen is most famously known as the force behind the Ndere Cultural Centre and the Uganda Development Theatre Association. Internationally, he is perhaps better known for his role in the film The Last King of Scotland.
I was delighted when the Empazi Magazine commissioned me to interview Stephen Rwangyezi. Here are some highlights of our conversation: undoubtedly the most illuminating three hours of my five years living in Uganda.
We discussed dance and development; the impact of colonialism on traditional culture; the issues of homosexuality and born-again Christians; and that all important question: can you teach the Muzungu how to dance like an African?

Stephen Rwangyezi Ndere Centre.
Of culture: “every day there is something new to be discovered – you can never finish learning about it. It is fathomless.” The Culture of Uganda – in rhythm and dance. Photo Ndere
A former school teacher turned Rural Agricultural economist, Stephen was the Director of the Uganda National Theatre and Cultural Centre from 1990 to 1994. In 2006 he played the character of Jonah Waswa, Idi Amin’s Minister of Health, in the film Last King of Scotland. He is a published author, with a string of films and documentaries to his name.
So Stephen, how did the Ndere Troupe come into being?
It was a practical response to the deep seated anger that had built inside me since childhood – seeing the great arts that gave me most genuine pleasure being derogated as primitive, backward and symbols of evil worship.
When I started the Ndere Troupe, I had two major goals. One was to restore dignity and integrity in the music and dance of Ugandan and African origin, and raise it to the status and look that it should be. For me, that loss of cultural pride was a disaster which led to the loss of self confidence and personal worthiness. So one of my main goals was to ensure that pride and dignity could be rekindled through dignified and artistically beautified cultural activities. The second goal was to work with disadvantaged boys and girls. It was child labour that kept me out of school until I was 15 years of age, but playing the flute got me into, and saw me through, school. Therefore, I wanted to organise boys and girls who had similar talents to mine and ensure that, rather than begging and moaning, they could utilise their talent capital to self actualisation.
In 1987 when I went to my village for a cousin’s wedding ceremonies, I noticed that there were groups of boys who feared HIV AIDS, known as ‘Slim’ in those days. Many people believed it was witchcraft but they had heard of something called a condom, which could kill Slim. So, the young men put some money together to buy one condom, and they used it in turns…. Something that was useful was now becoming dangerous.
I then asked myself: “How do I tell as many of these young people, as quickly as possible, that what they are doing is suicide?”
At that time in Uganda, there was only one newspaper, one radio station and only one TV station that only worked for four hours per day – all based in Kampala. Given that over 87% of the population lived “beyond the last mile” and were illiterate, I decided to use the familiar, attractive and friendly cultural music, dance and drama to spread the message.
Uganda was later credited for having brought down the incidence of HIV AIDS. This was how we did it.

Early performance of Ndere Troupe. The Culture of Uganda – in rhythm and dance. A musical, dancing tour of Uganda at the Ndere Cultural Centre. Photo Ndere
The Ndere Cultural Centre and the Uganda Development Theatre Association
Ndere Cultural Centre has spawned a whole industry and nurtured a whole generation of talented dancers. Dancing, as I quickly found out, is a small part of a much bigger movement.
As with many Ugandan stories, the story of the Ndere Cultural Centre starts off under a mango tree, when a choirmaster and his students agreed to create a performing group that would “change the terrible image painted by colonialists that traditional dances were evil and that whoever performed them could never see eye to eye with God.”
This was in 1984. The group agreed to name themselves the Ndere (‘flute’) Troupe, since it was Stephen’s talent as a flute player that had saved and educated him. The flute was also perceived as the most unifying musical instrument, since it existed in every culture of the world. The group wanted to demonstrate to Ugandans (and the world) who had been engulfed in tribal wars for centuries that we all can share common beauty which already exists in our diverse cultures.
We decided to use music, dance and drama for other public education reasons. Later, when I was Director of the National Theatre, I still made sure I put on at least three plays a year, all across Uganda.
We realised that one group was not enough to effectively serve the whole country. The demand for the efficient dissemination of applied knowledge in different crucial fields was overwhelming. In 1997 the Troupe facilitated the creation of the Uganda Development Theatre Association. The UDTA grew like wildfire, and soon became a nationwide cultural network of development theatre groups, of which there are now 2,084 across Uganda.

Culture of Uganda. Drummers and dancers, Kikorongo, near Kasese / Queen Elizabeth National Park, Uganda
Through UDTA, we take ideas from the local groups and create a national competition, equipping young people with life skills. One of the elements for the national competition is that every member of each group has to do a project, such as growing tomatoes. They then use the music, dance and drama to teach the adjoining communities how to implement this successful project. During the festival, the groups bring their produce and look for a market. Thus UDTA is not only about artistic and public education but a means of developing skills for self-sufficiency.
What has been the key to making traditional dance popular again?
“First, I had to upgrade and update the artistic and design quality of the music and dances – to make them more organised and to appeal to contemporary and rather unaware tastes. Remember that previously, the church and school teaching derogated these arts and manipulated the law to prohibit public presentation of these arts. Therefore the only social dancing was at night – without light. This meant that no one bothered about the choreographic designs, costumes, stage organisations, melodic development etc.

Ampitheatre Ndere Cultural Center, Kampala. The Culture of Uganda – in rhythm and dance. A musical, dancing tour of Uganda. Photo Ndere
Once the artistic spectacle became impressive, I spent many years trying to get Ugandans to appreciate the beauty within traditional dance. I found the children not yet prejudiced therefore I offered free dance performances in primary and secondary schools. These had a wonderful reception. The Ugandan audience that we now have is the children of the 1980s that attended those free shows.
Secondly, every Sunday from 1988 to 2003 there was a free performance at the Nile Hotel (now the Kampala Serena Hotel). This helped to introduce these arts to the international communities, tourists and the middle class Ugandans that had returned from exile (having run away from the political turmoil that engulfed Uganda through the 70s and early 80s). The latter were rather nostalgic and keen to introduce their families to values they had long lost – and were therefore more receptive. This is how the audiences that now throng the Ndere Centre, hire us for social and corporate functions, or even invite us abroad, were cultivated
What do Ugandans of a certain age think about your cultural performances?
Throughout the entire colonial period and the post-colonial mismanagement, school, religions and government all worked hard to deliberately destroy Uganda’s cultural framework.
When I was growing up, The Idle and Disorderly Act (of 1918) forbade African dancing during the day. During the night, there was no electricity, so no one was looking at you dance. For that reason nobody developed the dances because you could only dance for yourself. The Witchcraft Act of 1957 was used to forbid the playing of drums and other traditional music instruments such as ensaasi (gourd rattles or shakers). Wearing of traditional attire and ornaments (such as bark cloth and cowry shells) was forbidden. These items were classified as witchcraft and therefore to be confiscated and destroyed by all law enforcing agents and law loving citizens – who inevitably were products of the same system.

Students at St John the Baptist PTC, Ggaba, Kampala performing traditional music and dance in celebration of conservation
Schools belonged to the church and the church ostracised anything cultural. It urged everybody to “shed off the old skin and be born again” lest one would end in the terrible smouldering eternal fire of hell. Children who were not baptised and confirmed in the schools’ faiths were not allowed in school. Practicing traditional arts was believed to be an indicator of low intelligence, which reflected inheritance of worse low intellectual capacity from one’s parents! What a stigma!
Even at university in Uganda, up to now, the Department of Music, Dance and Drama (MDD), is called Musiru dala dala in the vernacular, literally translated as ‘stupid through and through’. So, over time the “civilised” became antagonists against the growth of culture. The MDD in Uganda has degenerated to just accepting those who could not get admission for other professional courses, thus confirming the label of academic inability as the criterion for admission!
What other factors have helped turn this situation around?
From the days of Idi Amin and later, many people went into exile. While in the diaspora, they were confronted with cultural inadequacy and an identity crisis. On return to Uganda, they had nostalgia for their own culture, so they brought their children along to the Ndere Troupe to try and introduce them to what they had missed. We also took deliberate steps to channel some of own school sponsored troupe members into teacher training, so wherever they taught in primary schools they also taught traditional arts.
President Museveni has also helped. He has been culturally sensitive. Besides reinstating the cultural leaders and kingdoms, he regularly invites the Troupe to perform at functions. This raised the status of the troupe/traditional artists in the perception of the public, setting a new trend. More and more people and organisations started including these arts in their functions. The increased demand led more young and well educated people (especially Ndere graduates) to form more cultural troupes. Now you see that whenever there is a public function, there is always cultural dancing.
As if to prove the point, midway through the interview, Stephen answers his phone: Uganda’s Ambassador to Russia is booking seats for the Russian trade delegation.
“Yes your Excellency, we will see you at the show tonight.”

St John the Baptist PTC, Ggaba, Kampala students performing traditional music and dance in celebration of conservation
Top of my list of questions to Stephen was……. how do you select dancers? And can the Muzungu join too?
Recruitment is mainly for the talented and disadvantaged children whom the Troupe took tasks to look after and pay their school fees. Some dancers pay for their own training but the ones we stay with are those who really need it.
Most of the dancers go to school and others work in different places, so we only train on Sundays. None of them would come knowing all the dances. It takes time to learn them all.
For many people the Troupe is a big stepping stone. There are people who have stayed with us for 20 years and are now part of the management and training structure; but what is the use of education if you’re not going to be able to live on your own? The more people we can churn out, the better for the arts. This is development.
Can you teach the Muzungu how to dance like an African?
The centre is open to anyone wishing to learn how to dance. Some people come to us and ask “I would like to know how you shake your hips.”
“All us Muzungu girls want to learn African dance,” I say, and we laugh.
People ask if they can learn playing a specific musical instrument. Recently a lady came and asked if she could make an adungu. In her two weeks here, she made two.

The Culture of Uganda – in rhythm and dance. Young boys learning to play the adungu at Ndere Cultural Center, Kampala. Photo Ndere
Do you have any idea of how many dancers have passed through Ndere?
I have lost count. At the moment we have 72 dancers. It’s always been oscillating between 40 and 70 for the last 28 years.
I have just watched the show for the third time and it seems as fresh as ever. Does the show change much?
“While the structure of the show doesn’t change, we feature different dances of Uganda. These vary in rhythm, technique, purpose, use of body parts, costume, melody, lyrics and use of instruments.”
Stephen describes the show as “an exposition of Uganda” but it could equally be described as an exposition of Africa.
“Uganda is a microcosm of Africa”, he explains. This is not only a result of the movement of tribes and speaking of different languages but the diverse lifestyles of these peoples that has led to evolution of different types of music. The sedentary crop-grower has a house in which he can safely store delicate or large instruments, such as a drum or an adungu. For the cattle-keeper who is constantly on the move, “their music is composed of very light melodies and they carry flutes, fiddles and zithers. When you set the cows grazing, you don’t have anything else to do but sit, thus their music is poetic, based on the lyrics rather than the rhythms. Because Uganda is endowed with natural resources and good weather suitable for all these economic activities, all the African peoples are represented here and their art is performed by Ndere.”
I hear you are working on a new production. What is it about and what is it called?
The play is about the wider perspective of corruption: the ones who are being arrested in Uganda are not the ones who are corrupt nor the originators of corruption.
I normally don’t name plays until I’m finished. For now it’s called Goat’s Ears, from a traditional saying, that if I put the goat’s ears on me, the leopard can hate me, thinking I’m a goat.

Traditional dancing Uganda. Girl students performing dance. Shake your kabina! The Culture of Uganda – in rhythm and dance.
What are your views on the 2012 play that got banned for featuring a homosexual character? People argue that homosexuality doesn’t exist in Africa. What’s your view?
I didn’t get to watch the play read the script, but what I got was the reactions to the story.
Uganda is no different from the West, it’s just a question of timing. There was a time when you went to the West and if you talked about homosexuality, there were very serious repercussions. Now, it is acceptable and even legislated for. The other problem is the unprecedented publicity in the Western media which is being perceived here as deliberate promotion. The same West that persecuted homosexuals yesterday, whose churches ingrained in the brains of their followers that homosexuality was mortal sin, is now the one spearheading the justification for it. People here find this rather confusing, hypocritical and therefore question the intentions for the sudden reversal. The Ugandans who followed and vehemently promoted the Western Christian teaching (where God’s word never changes), castigating and suppressing such practices in the African societies, now find themselves abandoned by the same ideological masters. They are rather embarrassed and do not know how to make the round about turn – hence the fanatic opposition.
Homosexuality has always been here in Uganda; there were even homosexual kings. We have words for homosexuality in the local languages: how could society name something if it didn’t exist?
The main challenge is fanaticism exercised by the so-called ‘born-again’s who I think actually work contrary to the teaching of the same Jesus they profess to follow. Jesus Christ on the cross was open to views of different types of people of all denominations. He said “now it is over for all sinners;” the curtain that used to separate Jews from Gentiles in the temple was torn and the darkness that had engulfed the world vanished! So where do the Christians derive the moral authority to castigate the so-called perverts?
You played the role of Jonah Waswa, Idi Amin’s Minister of Health, in the 2006 film The Last King of Scotland. Would you recommend people watch this film before they come to Uganda, or would you advise against it?
The problem is when you watch a movie it can turn you off something. However, it might be good to watch the film and then come here and see how much has changed since then.
When I went to the film launch in London and was asked to speak on behalf of all the actors, I said: “This is the first good thing that Idi Amin has done for our country – pointing a light on Uganda in a more entertaining and educational way. Out of all the countries with despotic leaders, past and present, I’m glad that you’ve chosen to highlight Uganda.”
Which words would you use to describe yourself?

“Music and dance for me are the great books in which knowledge and philosophies were deposited over centuries.” Interview with Ndere Troupe creator Stephen Rwangyezi. Photo Ndere
“It’s not for me to describe myself, that is for others,“ he said humbly.
“There is a very subversive element to what you do,” I suggest.
“Absolutely. I’ve always known that I’m rebelling. I find that normally, people who create systems to conform to, are doing it for totally other reasons. What preoccupies me is trying to resist manipulative destruction, read the signs correctly and communicate for people who can’t do it for themselves before it is too late. That is what motivates me.”
What does the future hold for you?
“Our only worry for some of us is that we don’t have enough heirs. But at least we shall have done our bit.”
What is your message to the young people of Uganda?
I believe we all have something unique deep inside us. Look deep inside, find a dream you love the most and go for it. You can achieve a lot if you do not listen and bow to the discouraging forces. You can make an indelible mark if you do not try to be simply like the others. You have the energy.
Money makes things happen but it’s the motivation, the drive and the commitment that are important.
The Muzungu adds: Many thanks Stephen for taking the time to talk to me and Empazi Magazine. I could have sat all afternoon listening to you. I learned so much about Uganda’s history and culture.
This article was commissioned by the Empazi Magazine, the brainchild of Ugandan creative Arnie Petit.
Dear readers: If you haven’t been to Ndere’s excellent live show, you really must visit. It’s not just for tourists: last time I attended, the majority of the audience were African, from across the continent.
Have you seen the Ndere Troupe perform in Kampala? Can you play the adungu?
On my knees again: an audience with the Bunyoro King
Bunyoro Kingdom – Empango Celebrations inauguration run, Hoima, Uganda
De Muzungu’s developed a taste for hanging out with Ugandan Royals recently, so when I heard Kampala Hash House Harriers – the Hash – were (dis)organising the Bunyoro Kingdom’s Empango Celebrations inauguration run, my name was first on the list!
11th June 2013 marked the 19th anniversary of the coronation of Omukama (King) Iguru Gafabusa Solomon the 1st of Bunyoro Kitara Kingdom, so the inauguration run (two days before the actual Empango) was one event I couldn’t let pass me by…
It was only to be expected: for one reason or another, the bus left Kampala for Hoima two hours late.
Just as we were ready to leave, someone asked “where’s the driver?”
“He’s gone to Friday prayers” came the answer.
Eh banange! Only in Uganda.
As we left Buganda Kingdom and crossed the Mayanja River into Bunyoro, Harriet explained that “Kabalega was a real King who fought for his kingdom. He didn’t just sit on a red carpet.” We were to hear his name mentioned many times on our trip to Bunyoro.

The only way off the bus is to drink the beer first! Empango inauguration run, Hoima
The fact our bus was only half full meant there was more than enough beer to drink. “If you can’t dance sleeping, you can dance standing ” and so the party bus danced its way from Kampala to Hoima.

Pump action. Harriet eagerly watched the dial on the petrol pump go round, making sure we didn’t waste a shilling of beer money on unnecessary fuel
We’d been at the petrol station 20 minutes before we realised there was no petrol. Tewali! (Nothing!)
The second petrol station was also empty.
Third time lucky, we landed at a “wind-up petrol station.”
Surprise, surprise, most of us missed Friday’s ‘Red Dress’ Hash run around Hoima. Stopping seven times along the way for ‘short calls’, snacks, chatting up the ladies, more beer, muchomo roasted meat, etc tends to do that to your programme. The three plus hour journey took twice that long.

Mural of the traditional marwa drink that is shared and sipped with straws from a calabash. Scene at the – more cheap than cheerful – Riviera Hotel, Hoima, Uganda
Saturday morning started with a visit to the Karuziika, the Omukama’s Palace, a modern looking house (Brits, think Surrey suburbs!) with some traditional Bunyoro huts being (re)built in the compound, in preparation for the Empango Celebrations on June 11th. [Great time for the camera to fail, part 1].
We were welcomed by the hugely knowledgeable Permanent Secretary (PPS) who commended us for our “exercise to combat modern lifestyle diseases.” That made me feel a bit sheepish. (Had no-one mentioned that the Hash is ‘a drinking club with a running problem?’)

Throne Room at the Karuziika, Bunyoro Kingdom Palace Uganda. Look how well-behaved we can be! Empango Celebrations inauguration run, Hoima
Earlier we’d been invited into the Throne Room. Excited Hashers – ordered to leave smelly trainers and drinks outside – were asked to sit on the assorted lion and leopardskins lying on the floor as the PPS introduced us to the Bunyoro Kingdom’s history as traders, hunters and metalworkers. He briefly flicked up a corner of the ceremonial bark cloth so we could have a peek at the nine-legged throne / stool.
I’m hooked on the Bunyoro cultural history. “The empire was built and lost on ivory” he told us, as we heaved a heavy elephant tusk around our group. He pointed out the spearholes in the lionskins beneath us. The huge lion paws were still intact and there was a discernible smell of (big) cat. As for leopard “there are only two ways to kill one,” he said, “with a club or by strangling it.” (This advice obviously predates the invention of AK47s!)
We heard that the King has just returned from China – nothing to do with ivory I hope? I first arrived in Uganda to work for the Uganda Conservation Foundation, essentially combating poaching and protecting elephants, and there I was sitting on dead animal skins, passing around an elephant’s tusk … !
As we Hashed (ran/walked) into Hoima town, I chatted to someone from the local radio station about Hoima’s new status as Uganda’s Oil City. Definitely a case of the rich getting richer and the poor getting poorer. He told me stories of people relocating. Some have come to Hoima to seek their fortune, others have had to move out of town as their 60,000 Uganda shillings monthly rent has increased to a whopping 200,000 UGX. Ow.

Hoima market scene, similar to many across Uganda, is set to change with the construction of a new purpose-built market centre. Growth in Hoima is fuelled by the developing oil industry.
The town’s growth is fueled by Uganda’s developing oil industry. The Hoima market scene, for example, similar to many across Uganda, is set to change with the construction of a new purpose-built market centre.

The walk to Lake Albert down the steep Rift Valley Escarpment takes around one hour. Better take a boda, especially coming back up!
Saturday afternoon’s trip to see the oil wells wasn’t what I expected. Silly me, fancy expecting to see oil wells on your trip to see the oil wells! In the end, the impromptu boda boda trip down the steep escarpment, passing the modest Kabalega Falls on our way down to Lake Albert, was one of the highlights of the weekend. Impassable by vehicle, the loose gravel and hairpin bends made it a hair-raising descent. To be honest, coming up was even scarier, especially when we met this guy and his jerry can collection as (three of us on a boda) were struggling to negotiate a tight corner.
The smell of drying fish hit us as we approached the village of Kibero.
It felt like we’d landed in an alien country. There were no vehicles, just a few bodas (making the most of the unexpected day tripper BONANZA) and no advertising (thus little colour). Neither were there any food stalls, market vendors or rubbish in the dirt roads. It all seemed very strange. There are hundreds of Ugandan villages cut off from the rest of the world but this one was different somehow, just a collection of drab sun-dried mud houses, piles of fish drying in the sun, ducks, people sitting on doorsteps. [Great time for the camera to fail, part 2].
On the beach – not a slot machine or ice cream van in sight – dozens of excited kids posed for photographs with the Lake Albert backdrop.

The remote Kibero fishing village, Lake Albert. You have to love Ugandan kids, always a beautiful smile for the camera.
Back in Hoima, Saturday evening’s programme was a special audience with the Omukama at the Palace.
All the ladies had on their best dresses. (Rumour had it that the Omukama would pick One Lucky Lady as his next wife! So we all kneeled dutifully when a Hashette tipped us the nod.) The Omukama looked very dignified, although the corporate branding across the front of his tent slightly overshadowed the traditional nature of the occasion. What next? “Bunyori Kingdom sponsored by Tullow”. Sigh. Pragmatically, oil has to be the best thing to happen to the Kingdom this century, as the minister of information, Bunyoro Kitara Kingdom, confirms in Uganda: Bunyoro is regaining her glory.
On the search for Mparo Tombs – the tombs of Kabelaga and his descendants
Recap: so, on Friday we’d missed seeing Katasiha Fort and on Saturday we’d missed seeing the oil wells… next stop (would we find it?) Mparo Tombs, “historical site rehabilitated by the Uganda People’s Defence Forces [the army] in honour of Kabalega in recognition of his struggle against colonialism.”
In 2009, Kabalega of Bunyoro was declared a national hero by President Yoweri Museveni and honoured with a three-gun salute for his nine-year resistance against the British colonialists.
Kabalega is said to be ‘the last great king of one of the greatest kingdoms in the Great Lakes region,’ and is buried at Mparo. Unfortunately, we didn’t get inside the grass thatched traditional hut that is Kabalega’s Tomb.

Sir Tito Winy’s Tomb is encased in concrete inside a modern structure. It is covered with a huge cowhide, fixed in place with nine traditional hoes. Mparo, Hoima
The traditional huts of the Bunyoro Tombs are very similar to the Buganda Kingdom’s famous Kasubi Tombs – showing Bunyoro descendence from Buganda.
The Kasubi Tombs burned down in 2010. (2014: rebuilding of Kasubi Tombs is underway).

“The man with the key is gone” but we were at least shown the grounds by ‘the heiress’ – one of Kabalega’s descendants.
Luckily we had Harriet to translate for us!

Paint it pink and I’d eat it. Les reads the plaque on the rather weather-battered wedding cake cum monument
The monument marks the spot where in 1877 Kabalega granted an audience to Emin Pasha.
“When Emin Pasha came face-to-face with the Omukama (King) for the first time, Kabalega was dressed in a piece of fine orange-pink coloured bark cloth. It covered his body to his breast except the left-hand shoulder, over which was thrown a piece of darker coloured bark cloth. He wore a necklace of hairs from the giraffe’s tail, the middle of which was strung a single blue glass bead, which encircled his neck. He was strikingly fair and about 5 feet, 10 inches tall. He made the most favourable impression on Emin Pasha.”
A.R. Dunbar, “Uganda’s famous men series: Omukama Chwa 11, Kabalega” (East African literature Euro 1965).
Writing this blog has given me a real interest in Kabalega and Emin Pasha. I’m pretty dumbfounded by what I’ve read. Between them they changed the course of history for millions of people, numerous kingdoms and several countries. How have I been in Uganda almost five years and hardly learned about them? (Visiting Kampala’s rather posh Emin Pasha Hotel hardly counts!)
Kneeling for the camera was my idea of fooling around. If I’d known what I’ve read today, I would have done it with more respect.

Julia receives a roadside benediction from what appeared to be a Chineseman made out of recycled metal. What’s this all about?
A few kilometres outside Hoima, we came across some disused ornamental fountains. Another fountain featured a metal bird. Some interesting colonial type buildings lay derelict next to them. I can imagine this all being snapped up and turned into a bijou coffeeshop when the real oil money starts pouring into town. Andrew Roberts, co-editor of the epic Bradt Uganda guide, what is this all about?
All in all, another brilliant Uganda week-end for Diary of a Muzungu. It’s a shame we didn’t hang around for the real royal Empango celebrations. Apparently 200,000 people partied for three days! Photos of the official Empango celebrations

The Omukama at the 2013 Empango celebrations in Bunyoro Kitara Kingdom, Uganda
2014 will mark the 20th anniversary of the Omukama’s coronation, guess who’s planning to attend?
For more Ugandan royal stories, read A wedding fit for a king.
If you like African bus journey tales, you might enjoy No hurry in Africa: on board the bus Kampala to Kigali and Kampala to Nairobi – 14 hours of speed bumps